Sunday, June 26, 2011

Scenic Route to Alaska, Souvs, Rococode. First time for everything.

I thought I heard you complaining, aching, whining, and generally going on and on about wanting a double dose of great local music. Or maybe that was just me. Either way, you're in for the time of your life for the next 10 minutes.

First up, Scenic Route to Alaska! This is a three-man band all the way from...Edmonton! What better place could there be, really. This band had previously opened for a show, with the Collective West, that I missed about two months ago. I felt that the CW would have a great taste in music themselves, so I've been eagerly waiting to see SRtA, and finally on Thursday night at Wunderbar my dream came to fruition.
The band sounds a bit like Born Ruffians, a bit like   and a whole lot like themselves. I don't know much about the band, but it's pretty great to see them already having found a sound that works for them. Very many a band comes and goes, not knowing in which direction they want to go in, and constantly struggling to find a niche and an audience. While the audience is still forming and the fan base ever growing, SRtA is already making music to my ears (literally), before their full album is even released. As of now they only have a 3-track EP out. It breaks my heart to come to the third song, only because I know that it's the end of the CD.

Lead vocalist Trevor Mann sure knows how to belt out some great songs without sounding like he's straining to make his voice heard and without making it sound like he's screaming at the crowd. The only thing that I could find even BETTER on the EP than during the live show, would be that it's nice to clearly hear how they layer the drums and vocals together (especially on the 2nd track of the EP, August Already).

During the set they played about 8 songs, and they seem to be chatting about recording some more. A girl can only hope right?

There were two other opening acts before SRtA, including The Nicest Guys In the World out of Halifax who were good, not only for an opening act. One other opener, not sure of her name, was...so-so. She could sing and play her guitar well, but was nothing special, and once during the show even asked the audience to quiet down...To me having an audience be quite, and enthralled with your music is a privilege that you earn, not a right that you're entitled to.

Now for the scathing review of Wunderbar. There isn't one. Sorro. However I do have a glowing recommendation about where to try to catch a great local show, or even just hang out with a few friends and grab some awkwardly-great named beers. Wunderbar isn't big, so don't go looking for massive doors, with a large glowing, neon sign. It's a quaint, cute, relaxed bar just on the East side of Gateway Boulevard and the South side of the street of Whyte Ave. The bar has a few picnic tables outside, where the music is still hear loud and clear. Inside there's quite a few tables, a three person maximum stage, and a back room with tables, a couch and get this, a nintendo game system. Yeah. Get your live music, great music, interesting people watching and retro gaming on, at a BUY ONE GET ALL price!

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And now I'd want to say onto an even more important show, except that I can't. I can definitely say it was just as great though! This time it was a rainy Saturday afternoon, made so much better by the collective stylings of Souvs and Rococode. Souvs are also a straight from the mean streets of Edmonton. The band is a four-piece number including two lead vocalists, Derek Ewanowich & Sarah Martens who know how to do their thang. Their vocals completely complement each other, yet the only thing that soured the combination was that it seemed like Martens mic was turned up too high during the first few songs...a problem quickly and easily fixed to make the rest of the set sound great. Not only are these guys and gal talented musicians, but they also know how to please a crowd of music-hungry fiends. They played a free show at the Electric Sloth music festival on Friday night, followed by this free show Saturday at Filthy McNasty's. One of my favourites from the set was a full-on drum-intense song. But not the typical beating/drum solo-esque thign you would expect. The high-hat and what I'm pretty sure was the snare (? I really need to brush up on my drum kit lingo), were brought front and centre and were in every way taken advantage of by drummer Josh Brown and Sarah Martens. And above and beyond that, you don't even have to leave your humble abode and your soft-as-kitten sweatpants to enjoy their sweet, sweet keys, cymbals and plucky guitar riffs; you can download a FREE (FREE, FREE) copy of their EP from souvs.bandcamp.com. (Or you could...nay... SHOULD, do the right thing and donate what you think is fair for 6-tracks. That way they can be on their way to recording an album! And really, what are you gonna do with all that change sitting on your dresser or your jeans anyway.) I feel like I tend to gush to the point of annoyance with bands that I take a liking to, but really this one impressed me for such a young band. Their lyrics were strong, their vocals were powerful yet catchy and had a where-have-I-heard-that-before! quality, and most importantly their instruments were tuned. Dare I say, they're so good, they should start charging for their shows too...? 
Check out this interview on VOIDTV to fall in like with them more.

Oh and as for the venue that is Filthy's on Whyte? It was better than I thought it would be, for sure. I've only been there during the nights (or wee hours of the morning). But for shows it seems like they pack away the bar tables and booths as best they can and have quite a decent sized stage; it's raised about two feet for maximum views. Lots of bars along the Avenue have live music, but tend not to have the proper stage to accommodate the band, where Filthys is just the opposite, not enough live shows but a great stage and set of of seats (and one that serves actual FOOD! Get the wings in every flavour of the best tasting rainbow).

Just after Souvs were finished their alluring (is that the right word? Seductive? Charming? Just trying to say they hooked me and/or drew me in...yet it all sounds like they invited me over for a night of wine and debauchery...), out came Rococode. As they say they're "an unfamiliar band made up of familiar faces", including Shaun Huberts and Johnny Andrews (both of whom had made up a part of the Tegan & Sara backing band), along with  Laura Smith and Andrew Braun on vocals. Smith's vocals are high-toned and delicate, while Braun's are loud, but well toned to hear above the instruments. There were times when the guitar and drums seemed to overpower what their vocals had to offer, but all in all they played a great set. I'm not sure if they would be a band I'd go to see on their own or buy their album, but they would be great to see at a folk/indie-rock festival. The stage was a tight squeeze for the full five members of the band that were performing...and awkward moments were brought on between the band as well as band-audience when the two singers tried to make playful banter that came out sounding brutal and insulting towards each other. It's never cool when bands don't even seem like they like each other...doesn't make me want to like them very much either! However their music was still great to see and I'm sure will be great to hear once they put out some tunes. For now you can check out their Myspace: http://www.myspace.com/rococode

Tuesday, June 21, 2011

So long, Graham Scott

I found out some really sad news today when I got home from work. One of the best DJs I've ever heard passed away on Saturday night. He constantly kept the airwaves and your ears full of music facts and was able to keep me entertain for hours on end. There aren't many times when I'll voluntarily stream the radio from the internet, or stay in the car a little while after the drive has ended just to hear the "end" of what the DJ is saying, but he always kept my attention.

He seemed to live and breathe music, the way that not many nowadays truly do. Even though he worked for a modern-rock music station, he had had a brief stint on a world-music station. Most wouldn't be able to make the transfer, but due to his love of music, no matter the type, he was able to bring his personality to many more. Good thing we got him back on to modern rock though; Saturday and Sunday afternoons might have been very different for me for the last while.

Anyway, I've talked more about him that I thought I would, but it's just come as a shock. He was under 40, and it's unrevealed what happened to him. But I hope that all the peace in the world comes to those who loved him and who he loved. Weekends just won't be the same.

Things We Do

Opened with artist Mat Savard, who reminded me of a one-man Dirty Heads-esque band. One of the things that made me remember him the most was his forward personality and the facial expressions he made while he sang.

Just before the Collective West made their ..."official" appearance (Erin Faught, lead female vocalist, was working the door, stamping away and taking tix, while the rest of the band was hanging around, mingling, and cheering on the opening acts), the band was able to have another good friend of theirs, Jeff Morris, play a set. Collective West has previously opened for the sweet, slow and intelligent singer-songwriter. The folk singer has crafted his songs and voice to what seems like a "T". I really don't like reading about comparisons of artists, since each artist is unique, by leaps and bounds. However, I'm about to shame myself by comparing Morris' songs to the slower songs by Michael Bernard Fitzgerald (who, if you've read previous blogs, you'll know as one of my true loves). It's not really because their voices sound similar, but more so because they're both fellas (obviously) who know how to make hearts swell with emotion*, and no doubt put the effort into each of their verses, choruses and bridges. 
*Even though Morris is more of a heart-achey feeling, and MBF is more of a falling-in-love feeling.

And without much wait up came The Collective West. Now you know how I've been talking (and talking, and talking...) about these people for quite. To be honest, I was more worreid about hearing their new album (since this was their debut album release show). I had only ever heard the band on live recordings on Youtube. But, to jump ahead a bit, once I listened to the first song on the album I knew that I'd definitely struck gold in the West. It was really refreshing to hear a band that needed no extras or fillers in their musics or with honing their "sound".

It was a totally different kind of show than I've ever been to before. Really, it felt more like sitting in on a live impromptu band practice. The crowd seemed like they were mostly friends/family of band members, and every one felt completely comfortable, which made the music sound that much sweeter for some reason; it was a very laid back show, with heaps of banter between the audience and band. It's easy to see that the members are all friends behind-the-scenes too. They connect so well with each other DURING songs, and often commicate with eye contact and glances during their set.
To me, one of the best things about the Collective West is that they don't use completely "traditional instruments" i.e one set of drums, one/two electric guitars, or one acoustic and one bass. Erin Faught, female vocalist, switches between an acoustic guitar, and the nicest looking banjo I've ever seen. Lead male vocalist, Alex Klassen (formerly known as Alexander Chemist) plays electric guitar and tends to tape a tambourine to his foot (yeah, you definitely read that right). And according to the bands Facebook page, the remaining (yet I really don't like to use that word since they contribute so so much to the sound of the band) two members play just as hard on their "Bass/Eggshaker/Fisher Price Xylophone...", which is played by mustachioed Alex Charleton, and the "Guitar/Cajón/Glockenspiel/Dulcimer/.../Kazoo/Bells/Vocals..." played by the EXTREMELY talented and fully-demin-outfitted, Dave Sustrik.
The set included most, if not all (I did lose count due to lost-in-awe brain) songs from their new album, "Things We Do". Not only did they play orginals but they also included three great covers: I Want You Back - The Jackson 5, Gold Digga - Kanye West, and Danger Zone - Kenny Loggins. That last one was voted into place on their Facebook page! It was great to see a band who can do a cover, but do it well. Performing a cover is not only about making the original proud, but also bringing something of your own to the music! And brought it, they sure did. Erin Faught's vocals on Gold Digga (during the Jamie Foxx part), was actually one of the best  acapella vocals I've ever heard.

To sum up a great musical night, the band in no possible way dissapointed, and somehow even made themselves better with their excellent, intimate live show!


Interested in some extra reading, boys and girls? Look no further than my views on the ARTery. It's located on Jasper Ave, just east of the Shaw Conference Centre. If it's ever your first time going there, please, do yourself a favour and memorize the GoogleMap of it first. Trust me, I know this city, and I knew the address, yet it still took me at least 15 minutes of driving around the area to find the "hole-in-the-wall" venue. It actually was reaching the point of frustration when it was spotted. However, another problem soon arose: how do we get in the building? The front door was locked, with a cage/grate over the door. No signs were posted anywhere and, wince the ARTery is part of a bigger building, we went next door to a convienitet stoore to invetigate. That wasn't any help since the store clerk had no clue what I was trying to ask. We decided to go on a short adventure (in one of the sketchier areas of the city), and found out way in finally through a door in the back alley. Once getting inside my frustrating and near anger was cured. The ARTery is such a great location for any band or concert-goer wanting an intimate show. It doesn't fit many people, I'd say 100 or less? However it was perfect for the local artists and folk music that we had gone to see. The stage isn't very big, just enough to fit four members of the Collective West, but also extends on the left hand side if it's needed (this time that part was just used as extra seating). There's also quite a few tables, a set of stairs and a couch where the audience can sit (even though a lot of them ended up sitting on the floor close to the stage...like I said, it was like being with a bunch of friends!). I hope that more bands plan on having shows so that many more people are able to discover the magic of the ARTery like I was!

Saturday, June 18, 2011

Getting the Facts Together - The Collective West

So. I've been bested. Blogger and friend of the band The Collective West, Rylan Kafara, has written one of the loveliest posts about the up and coming local band. Since I could try to write a better post, yet fail absolutely (and I also have the stove on, and I hear it's bad to leave such things unattended)...instead I'm just going to share his post with the world!

And find out EVEN MORE about this great band tonight at the ARTery on Jasper Ave at The Collective West's album release show!

Wednesday, June 15, 2011

The Collective West

Interested in new, homegrown music? I've mentioned these lovely people before, but this time they're about to celebrate a milestone, and are inviting YOU to celebrate with them! The four-piece band The Collective West are about to release their debut album this Saturday at Avenue Theatre. Judging from their quickie living room session, "Bottom Line", it's sure to be a treat for the ears. Tickets are only $10, either online at www.yeglive.ca or $10 at the door.

Support local, and talented artists! No excuses.

And hey, the world always needs more banjo.