Yesterday I was lucky enough to be able to go to Sonic for one of their intermittent "Sonic Sessions", where a band, usually playing a venue later on that night, will come and perform in their "Listener Lounge" for about 40 audience members. The room is tight, the fans are eager, and the band usually sounds great for such a small space.
This time, however, the buzz band, the Sheepdogs, had no notes, riffs, or raspy vocals for us to enjoy. Not quite clear exactly why the band, out of Saskatoon, Saskatchewan was not able to play (something to do with "all the promotion around the night's show....they weren't allowed to play prior...or something to that effect), but it was disappointing, to say the least. I'm not sure about other people who attended, but I was there since I didn't get tickets to their sold-out show at the Starlite Room later on that evening. I was there to hear them play. Sure, they signed the free EP vinyl that they gave away (named "Five Easy Pieces"), and sure they did a longer than normal interview with one of the DJ personalities that regularly hosts the Sonic Sessions. But really, for an up and coming band, no matter how talked about they are, it was not the best first impression. Tons of major bands and artists have played in the lounge before, and yes, I know they're restricted by their record label, but doesn't mean that it doesn't irk me (for lack of a more appropriate word). I hope this really was the fault of the label, and has nothing to do with a stereotypical "Rock Star" status that tends to appear when a new band reaches fame so quickly.
Showing posts with label Starlite Room. Show all posts
Showing posts with label Starlite Room. Show all posts
Sunday, December 18, 2011
Sunday, April 24, 2011
"Quickly! Call the Tokyo Police Club!", Said the Whale, "We found Dinosaur Bones!"
I've never had the pleasure of being able to see a favourite band more than...well..once in the span of less than 6 months. However I can now eat my words since I've just had the chance to experience Tokyo Police Club for the 2nd time since January (3rd time total. Do you remember my luck catching them in Montreal?)!
This time instead of touring with Two Door Cinema Club, they were with another highly addictive band that I crave, Said the Whale.
This concert was completely sold-out over a month ago, so all bands decided to host another performance the following night. Since I already had tickets for the April 18th show, I stuck to my guns. Opening for the co-headlining tour on was the Torontonian band, Dinosaur Bones. Their set was great, however nothing to write home about. It kinda kills me to say that since the guys totally won me over in the end by their interaction with the audience, genuine personalities and that they actually talked to us for quite a while after the show. When they were actually on stage they played as I would expect from a band opening for two major Canadian indie bands. It was hard to make out the vocals for the majority of the set though, which was unfortunate since (after buying the album at the show), Ben Fox's lead vocals are so smooth and add the backbone to the songs. Now you must know, I don't just dish out my money for just any band. They were a solid band, but just need to tweak their live set slightly to allow it to speak properly for the album. As I said above, it was pretty nice that after the entire concert was over the whole Dinosaur Bones band came onto the floor and were just hanging out. They all chatted and the bassist, Branko Skekic, was even letting us in on the fact that, yes! Bands are regular people too! He was mentioning that he loves meeting fans, because when he's back in their hometown he loves going to shows, getting pictures and autographs from HIS favourite bands. Honestly, it was nice to actually hear a musician say it and (hopefully) mean it! It was their first time getting to perform in the West and let me tell you, they definitely enjoyed it! They raved about Calgary's crowd the night before, but were tempted to say Edmonton was even better! Most importantly they were stoked to play again the following night. It warms my heart to hear bands say this, meaning they'll hopefully reappear on the scene! (Bonus indie cred: Skekic and one of the guitarists, Joel Clifton, had done a bit of shopping at Value Village earlier in the day. I bring this up since Clifton hit gold when he found an Edmonton Oilers poncho. You read right, poncho.)
Said the Whale took to the stage around 10pm, and were as vocally great as a recording. However it seems like with a lot of bands you have to choose between a vocally great show, or a stage-personality-driven rock odyssey. Each member of the band played according to what seems like a formula. I of course still sang along to every word (I had been looking forward to seeing this band miles above the rest; Obviously I love TPC, but had just seen them 3 months ago), and it was a much more energetic show than I would've judged it to be beforehand. The energy that Dinosaur Bones injected into the crowd was kept high by the sounds of StW...but it was just not what I was expecting. Expectations aside, they DID play a great set. S My heart melted a little when one of the co-lead-vocalists brought out his ukulele for the songs Goodnight Moon, and Dear Elkhorn. kipping two of my favourite songs, Out on the Shield, and Gentleman, I walked away from it a little disappointed, but that's RE: Expectations. Even though they did play with all the might I never expected, I would've much rather watched them perform at a more relaxed "sit-down" venue, such as the Myer Horowitz. I've never really wished that from a band, but it's been a long long time since I've ever heard a band so lyrically, and melodically strong as Said the Whale. Oh, well, I suppose it gives me a reason to see them again! Hopefully headlining their very own tour next time...? (I must say, it hurt inside having to say a single harmful word about this band. Take a listen to their album "Islands Dissapear". I dare you not to be full of Canadian patriotism afterwards!)
Is there much more I can say about how much I love Dave Monks, and Tokyo Police Club? I think I may have gushed suffieciently during my ramble about their Montreal show, however this show was actually a very different atmosphere than the one I saw in January. In Montreal, at Club Soda, we sat on the second floor, balcony seats, almost disengaged from the actual concert...except for the sounds of course. But as most concert-goers realize, half or more than half of the concert experience includes being right in the sweaty (if thats the type of concert) thick of it. A TPC concert is best taken in high doses to get the complete rush of happiness, sing-a-longs, and strong bass/guitar instrumentals. I've listened to every song this band has put out, and been allowed to see them perform 3 times lives (a 4th to come in May, at Sasquatch in George, Washington). And ever since their beginnings, and my beginnings of fandom, in 2007, they've been a great band, both live, recorded, with energy, and the perfect blend of instruments and vocals. They've significantly improved on their stage presence as well, drawing the audience out of their shell, using their wit along both new and old songs.
I knew this band would be big one day, but I never knew the heights they were able to reach, and it's punch-in-the-face clear that they're no where near the peak of their journey yet. Though, while they do put on a great live show, otherwise I wouldn't keep going back, I feel like their strengths and clean-cut instrumentals are better put on display on recordings (but this downside happens with most bands at live events anyway).
I won't talk about the venue since we all know I've talked about the Starlite Room more times than I know, but I do need to mention the crowd. I was expecting the typical "indie kids", you know the type: skinny jeans, witty or retro shirts, sneakers/boat shoes/dress shoes, floral anything with sometimes a hint of fashion glasses, and a dash of condescension (Don't worry, I'm definitely not knocking the style, it's my style too. Just a description had to be made). And while waiting in line/the beginning of the show that's the exact crowd that turned up to dance. It was clear, about halfway through TPCs set though, that there were some hooligans among us. 6 foot somethinng guys intent on moshing. Not indie moshing either. (consisting of jumping up and down, or dancing as awkwardly as possibl to the beat). This was elbows out, crash into anything in a 2 foot radius, security's literally going to take you out, kinda moshing. It really did wreck a lot of the shows potential. Some people say "If you don't wanna get hit, don't stand near the stage". And excuse my French, but BS. That is a lame excuse to injure the innocent. So for anyone at all reading this plea, next time you attend a concert, just dance. Don't hit, mosh, or unless ABSOLUTELY necessary , circle-dance. Lets just all enjoy the peace and sweet harmonies, and make new friends.
This time instead of touring with Two Door Cinema Club, they were with another highly addictive band that I crave, Said the Whale.
This concert was completely sold-out over a month ago, so all bands decided to host another performance the following night. Since I already had tickets for the April 18th show, I stuck to my guns. Opening for the co-headlining tour on was the Torontonian band, Dinosaur Bones. Their set was great, however nothing to write home about. It kinda kills me to say that since the guys totally won me over in the end by their interaction with the audience, genuine personalities and that they actually talked to us for quite a while after the show. When they were actually on stage they played as I would expect from a band opening for two major Canadian indie bands. It was hard to make out the vocals for the majority of the set though, which was unfortunate since (after buying the album at the show), Ben Fox's lead vocals are so smooth and add the backbone to the songs. Now you must know, I don't just dish out my money for just any band. They were a solid band, but just need to tweak their live set slightly to allow it to speak properly for the album. As I said above, it was pretty nice that after the entire concert was over the whole Dinosaur Bones band came onto the floor and were just hanging out. They all chatted and the bassist, Branko Skekic, was even letting us in on the fact that, yes! Bands are regular people too! He was mentioning that he loves meeting fans, because when he's back in their hometown he loves going to shows, getting pictures and autographs from HIS favourite bands. Honestly, it was nice to actually hear a musician say it and (hopefully) mean it! It was their first time getting to perform in the West and let me tell you, they definitely enjoyed it! They raved about Calgary's crowd the night before, but were tempted to say Edmonton was even better! Most importantly they were stoked to play again the following night. It warms my heart to hear bands say this, meaning they'll hopefully reappear on the scene! (Bonus indie cred: Skekic and one of the guitarists, Joel Clifton, had done a bit of shopping at Value Village earlier in the day. I bring this up since Clifton hit gold when he found an Edmonton Oilers poncho. You read right, poncho.)
Said the Whale took to the stage around 10pm, and were as vocally great as a recording. However it seems like with a lot of bands you have to choose between a vocally great show, or a stage-personality-driven rock odyssey. Each member of the band played according to what seems like a formula. I of course still sang along to every word (I had been looking forward to seeing this band miles above the rest; Obviously I love TPC, but had just seen them 3 months ago), and it was a much more energetic show than I would've judged it to be beforehand. The energy that Dinosaur Bones injected into the crowd was kept high by the sounds of StW...but it was just not what I was expecting. Expectations aside, they DID play a great set. S My heart melted a little when one of the co-lead-vocalists brought out his ukulele for the songs Goodnight Moon, and Dear Elkhorn. kipping two of my favourite songs, Out on the Shield, and Gentleman, I walked away from it a little disappointed, but that's RE: Expectations. Even though they did play with all the might I never expected, I would've much rather watched them perform at a more relaxed "sit-down" venue, such as the Myer Horowitz. I've never really wished that from a band, but it's been a long long time since I've ever heard a band so lyrically, and melodically strong as Said the Whale. Oh, well, I suppose it gives me a reason to see them again! Hopefully headlining their very own tour next time...? (I must say, it hurt inside having to say a single harmful word about this band. Take a listen to their album "Islands Dissapear". I dare you not to be full of Canadian patriotism afterwards!)
Is there much more I can say about how much I love Dave Monks, and Tokyo Police Club? I think I may have gushed suffieciently during my ramble about their Montreal show, however this show was actually a very different atmosphere than the one I saw in January. In Montreal, at Club Soda, we sat on the second floor, balcony seats, almost disengaged from the actual concert...except for the sounds of course. But as most concert-goers realize, half or more than half of the concert experience includes being right in the sweaty (if thats the type of concert) thick of it. A TPC concert is best taken in high doses to get the complete rush of happiness, sing-a-longs, and strong bass/guitar instrumentals. I've listened to every song this band has put out, and been allowed to see them perform 3 times lives (a 4th to come in May, at Sasquatch in George, Washington). And ever since their beginnings, and my beginnings of fandom, in 2007, they've been a great band, both live, recorded, with energy, and the perfect blend of instruments and vocals. They've significantly improved on their stage presence as well, drawing the audience out of their shell, using their wit along both new and old songs.
I knew this band would be big one day, but I never knew the heights they were able to reach, and it's punch-in-the-face clear that they're no where near the peak of their journey yet. Though, while they do put on a great live show, otherwise I wouldn't keep going back, I feel like their strengths and clean-cut instrumentals are better put on display on recordings (but this downside happens with most bands at live events anyway).
I won't talk about the venue since we all know I've talked about the Starlite Room more times than I know, but I do need to mention the crowd. I was expecting the typical "indie kids", you know the type: skinny jeans, witty or retro shirts, sneakers/boat shoes/dress shoes, floral anything with sometimes a hint of fashion glasses, and a dash of condescension (Don't worry, I'm definitely not knocking the style, it's my style too. Just a description had to be made). And while waiting in line/the beginning of the show that's the exact crowd that turned up to dance. It was clear, about halfway through TPCs set though, that there were some hooligans among us. 6 foot somethinng guys intent on moshing. Not indie moshing either. (consisting of jumping up and down, or dancing as awkwardly as possibl to the beat). This was elbows out, crash into anything in a 2 foot radius, security's literally going to take you out, kinda moshing. It really did wreck a lot of the shows potential. Some people say "If you don't wanna get hit, don't stand near the stage". And excuse my French, but BS. That is a lame excuse to injure the innocent. So for anyone at all reading this plea, next time you attend a concert, just dance. Don't hit, mosh, or unless ABSOLUTELY necessary , circle-dance. Lets just all enjoy the peace and sweet harmonies, and make new friends.
Wednesday, April 6, 2011
White Hot Lightning
Each month that same local radio station, Sonic, has something they call band-of-the-month. This is where they feature a local band's single on the radio for the entire month, ending with a show at a local bar at the end of the month.
Band of the month for Nov 2010, was White Lightning. Unfortunately I missed their performace, fortunately I have the best secret squirrels always looking out for my best concert-going interests.
On Thursday night I was told that WL would be playing at the Starlite Room with two other bands. A friend is friends with the bassist; being on the guest list? Check. Not having to pay for a membership, cover, or ticket? Check. Souvenir kazoo? You can definitely check that.
The Friday night show was actually in support of another local band, Tupelo Honey, and their CD realease. There were the two opening bands in additon to Tupelo Honey, WL and a 5 piece "dance" band from right here in the city as well. Except...well...this band, Flash Jam, is not ...well....there's just no words that suffice. To me they are 5 guys, who play their instruments decently and don't sound like dying cats when they sing. Their songs however are pop-ey messes, and their set was made up of a couple of original songs mixed with not so great covers of overheard songs (i.e. one by Michelle Branch). I have no problem with covers, and sometimes they can even outwit the original...These covers by Flash Jam, however, were the same as the original (except with the pizzaz of a male singer. OH, and a synthesizer of course). I've never been so happy for a band's set to be over.
And salt in the musical wound, was to find out that this band had actually beat White Lightning in a battle-of-the-bands style contest.
White Lightning played an intense show, complete with audience participation by the aforementioned kazoos. But before that let me quickly mention that the band is made of up three fellas who know their music (and the lead singers wife on back-up vocals). Their music is energetic and animated; the lead vocalist, Steve, makes some of the best faces I've seen on a performer.
They include cowbell (not enough on this night for my liking...) in basically every show, and the kazoos? Well during their last song they have a bucket (really, a bucket) full of kazoos that they hurl out into the audience. Oh, I forgot, beware of falling objects...sheild your eyes, most importantly. I'm not totally sure that I was even "playing" it right, you just hum into it, but it definitely added a fun atmosphere to the set!
Unfortunately I had to leave early, so only got to hear one Tupelo Honey song...which was a Cher cover...I've heard they're really good, and have opened for quite a few major bands in the past few years. Hopefully there's always next time!
Band of the month for Nov 2010, was White Lightning. Unfortunately I missed their performace, fortunately I have the best secret squirrels always looking out for my best concert-going interests.
On Thursday night I was told that WL would be playing at the Starlite Room with two other bands. A friend is friends with the bassist; being on the guest list? Check. Not having to pay for a membership, cover, or ticket? Check. Souvenir kazoo? You can definitely check that.
The Friday night show was actually in support of another local band, Tupelo Honey, and their CD realease. There were the two opening bands in additon to Tupelo Honey, WL and a 5 piece "dance" band from right here in the city as well. Except...well...this band, Flash Jam, is not ...well....there's just no words that suffice. To me they are 5 guys, who play their instruments decently and don't sound like dying cats when they sing. Their songs however are pop-ey messes, and their set was made up of a couple of original songs mixed with not so great covers of overheard songs (i.e. one by Michelle Branch). I have no problem with covers, and sometimes they can even outwit the original...These covers by Flash Jam, however, were the same as the original (except with the pizzaz of a male singer. OH, and a synthesizer of course). I've never been so happy for a band's set to be over.
And salt in the musical wound, was to find out that this band had actually beat White Lightning in a battle-of-the-bands style contest.
White Lightning played an intense show, complete with audience participation by the aforementioned kazoos. But before that let me quickly mention that the band is made of up three fellas who know their music (and the lead singers wife on back-up vocals). Their music is energetic and animated; the lead vocalist, Steve, makes some of the best faces I've seen on a performer.
They include cowbell (not enough on this night for my liking...) in basically every show, and the kazoos? Well during their last song they have a bucket (really, a bucket) full of kazoos that they hurl out into the audience. Oh, I forgot, beware of falling objects...sheild your eyes, most importantly. I'm not totally sure that I was even "playing" it right, you just hum into it, but it definitely added a fun atmosphere to the set!
Unfortunately I had to leave early, so only got to hear one Tupelo Honey song...which was a Cher cover...I've heard they're really good, and have opened for quite a few major bands in the past few years. Hopefully there's always next time!
Monday, February 14, 2011
I'll care for you
Michael Bernard Fitzgerald aka MBF played the Starlite room on Saturday, fitting for Valentines Day weekend. He's a genuinely sweet guy from Calgary, Alberta with what seems like not a mean bone (or song) in his body.
Before I gush about MBF, let me talk about his two, thats right two, opening acts: Calm Asa Coma, and Lyra Brown. I hadn't heard about either of these artists before the show. Calm Asa Coma also hails from Calgary, and really impressed me. As a "local" band (Alberta cred), I really enjoyed that they knew how to use their instruments and vocals together, instead of one drowning the other out (a shame that tends to happen a lot with bands). They had a indie-rock flow, but really were surprising for an opening act for MBF.
Even more surprising was Lyra Brown (not typical to see two opening bands for a local artist, in a small venue). I'll be honest, she looked like she was 12, and her backing guitarist & drummer didn't look that much older than that. But she had quirky lyrics and was very dance-able. I'm actually just reading up on her website now, and she has more of a backstory than I previously thought. It's pretty interesting to hear what this young artist has already been up to, take a minute, and read up. She was also the only one performing from Edmonton.
I first saw MBF opening for OK Go last summer in the same venue, and when we heard he was coming back to Edmonton as the main act we bought tickets two months in advance and started counting down the days. It's hard to pinpoint exactly what it is about this crooner that has so many girl's hearts. I feel that it's that he's just very honest about the way he feels, and doesn't try to use cliched lyrics or phrases to get you to hooked. And yes, its apparent the majority of this songs are about the ladies, but he's not a one-dimensional writer, which can be heard in the songs "Movie Life" or new "In the Woods" (both about living the Hollywood lifestyle).
Now I know I've spoken and described the Starlite Room before, but after attending different venues I'm beignning to relize some of it's unfortunate flaws. The pit is slanted downwards from the stage, so when you're standing it sure does a number on your calves. So much so, that during the 3 set changes at least half of the audience would sit down directly on the floor to avoid the strain (well that's why we sat, and it seemed like most were doing it for the same reasons). Also since the stage is set so high, and we were at the front, about halfway through MBF's set, I started to get cramps in my neck from having to look up. It just makes an otherwise amazing concert a little less so. Also, for some reason, MBF was late to come on stage...quite a bit late, so that it was noticed. He apologized even which was nice to hear, and I was just reading his twitter also apologizing while Lyra Brown must have just been finished.
MBF knows how to entertain a crowd, with his brand of cute-folk-rap. Yes, rap. It's occaisional but just that much more special. It's amazing how long he can rhyme for without taking a breath, and even better when you take that minute to try and soak in every clever lyric.
During a few of the songs he had a large backing band, and I mean large: three fellas in the horn section, a guitarist, bassist, two drummers and three back up singers. Such a big change from the three people on stage during his OK Go opening. And although the others added energy to the show, I'll admit my favourite part was when section by section (and song by song) they would walk off stage, leaving Fitzgerald alone during the middle of the set. With the lights turned way down low, by his request, the room could not have felt more intimate if they had set up candlelight.
It seems like at least one person in the audience was expecting this atmosphere...One of the sweetest thing's I've seen happened during MBF's set, when between "Susie, I love you" and "Care for You", he asked one girl in the audience to turn over her ticket. After a bit of silence, Fitzgerald said "I know you're excited but there's a whole audience that wants to know what that has to say!"...and the response was "Will you marry me?". Don't get in a tizzy like the girl's next to me did, thinking that HE was in fact proposing...but get ready to Aww that the girl's boyfriend had gone through all this trouble to get the proposal just right. Before this it was already the most romantic concert I could think of attending, and after, well there's nothing that can beat that. Now I know how I want to be proposed to.
So many words used to describe Michael Bernard Fitzgerald are overused (and therefore seem less special) for the wrong reasons these days. He's sweet, he cares, he's sentimental. It seems to me that these words are constantly used to decribe fellas, but how often is it blatantly and obviously true (with sincerity, not just to "get with" a girl)?
With songs like Love Your Soul, Can't be Done With You, and Care for You, I dare you to listen and not feel the teeniest bit of real emotion and heart. Not only is it easy to relate to his thoughtful and sweet lyrics, but when hearing his recording, just the same as hearing his voice live, you can feel the emotion through his voice. (Though in my opinion he's one of those rare artists that are much better live than on CD, the only reason being that it is the in-the-moment sincerity that plays such a huge role in his songs)
To sum up: it's a feat not to swoon and get a little weak-kneed for MBF. If the privilege ever gets passed on to your town, don't pass up the chance to let him melt your heart.
Before I gush about MBF, let me talk about his two, thats right two, opening acts: Calm Asa Coma, and Lyra Brown. I hadn't heard about either of these artists before the show. Calm Asa Coma also hails from Calgary, and really impressed me. As a "local" band (Alberta cred), I really enjoyed that they knew how to use their instruments and vocals together, instead of one drowning the other out (a shame that tends to happen a lot with bands). They had a indie-rock flow, but really were surprising for an opening act for MBF.
Even more surprising was Lyra Brown (not typical to see two opening bands for a local artist, in a small venue). I'll be honest, she looked like she was 12, and her backing guitarist & drummer didn't look that much older than that. But she had quirky lyrics and was very dance-able. I'm actually just reading up on her website now, and she has more of a backstory than I previously thought. It's pretty interesting to hear what this young artist has already been up to, take a minute, and read up. She was also the only one performing from Edmonton.
I first saw MBF opening for OK Go last summer in the same venue, and when we heard he was coming back to Edmonton as the main act we bought tickets two months in advance and started counting down the days. It's hard to pinpoint exactly what it is about this crooner that has so many girl's hearts. I feel that it's that he's just very honest about the way he feels, and doesn't try to use cliched lyrics or phrases to get you to hooked. And yes, its apparent the majority of this songs are about the ladies, but he's not a one-dimensional writer, which can be heard in the songs "Movie Life" or new "In the Woods" (both about living the Hollywood lifestyle).
Now I know I've spoken and described the Starlite Room before, but after attending different venues I'm beignning to relize some of it's unfortunate flaws. The pit is slanted downwards from the stage, so when you're standing it sure does a number on your calves. So much so, that during the 3 set changes at least half of the audience would sit down directly on the floor to avoid the strain (well that's why we sat, and it seemed like most were doing it for the same reasons). Also since the stage is set so high, and we were at the front, about halfway through MBF's set, I started to get cramps in my neck from having to look up. It just makes an otherwise amazing concert a little less so. Also, for some reason, MBF was late to come on stage...quite a bit late, so that it was noticed. He apologized even which was nice to hear, and I was just reading his twitter also apologizing while Lyra Brown must have just been finished.
MBF knows how to entertain a crowd, with his brand of cute-folk-rap. Yes, rap. It's occaisional but just that much more special. It's amazing how long he can rhyme for without taking a breath, and even better when you take that minute to try and soak in every clever lyric.
During a few of the songs he had a large backing band, and I mean large: three fellas in the horn section, a guitarist, bassist, two drummers and three back up singers. Such a big change from the three people on stage during his OK Go opening. And although the others added energy to the show, I'll admit my favourite part was when section by section (and song by song) they would walk off stage, leaving Fitzgerald alone during the middle of the set. With the lights turned way down low, by his request, the room could not have felt more intimate if they had set up candlelight.
It seems like at least one person in the audience was expecting this atmosphere...One of the sweetest thing's I've seen happened during MBF's set, when between "Susie, I love you" and "Care for You", he asked one girl in the audience to turn over her ticket. After a bit of silence, Fitzgerald said "I know you're excited but there's a whole audience that wants to know what that has to say!"...and the response was "Will you marry me?". Don't get in a tizzy like the girl's next to me did, thinking that HE was in fact proposing...but get ready to Aww that the girl's boyfriend had gone through all this trouble to get the proposal just right. Before this it was already the most romantic concert I could think of attending, and after, well there's nothing that can beat that. Now I know how I want to be proposed to.
So many words used to describe Michael Bernard Fitzgerald are overused (and therefore seem less special) for the wrong reasons these days. He's sweet, he cares, he's sentimental. It seems to me that these words are constantly used to decribe fellas, but how often is it blatantly and obviously true (with sincerity, not just to "get with" a girl)?
With songs like Love Your Soul, Can't be Done With You, and Care for You, I dare you to listen and not feel the teeniest bit of real emotion and heart. Not only is it easy to relate to his thoughtful and sweet lyrics, but when hearing his recording, just the same as hearing his voice live, you can feel the emotion through his voice. (Though in my opinion he's one of those rare artists that are much better live than on CD, the only reason being that it is the in-the-moment sincerity that plays such a huge role in his songs)
To sum up: it's a feat not to swoon and get a little weak-kneed for MBF. If the privilege ever gets passed on to your town, don't pass up the chance to let him melt your heart.
Sunday, February 6, 2011
Not Sick
Call me a slacker. I was just about to give you the best review of your life (made up on the spot of course) for Freezing Man Festival 2011. And then I realized that I never gave you a dose of Tokyo Police Club with Two Door Cinema Club at Club Soda in Montreal (did you get your "club" fill yet? No? Get ready for the mother load).
As said above the concert was at Club Soda in Montreal, just off Saint Catherine St. It's a really cool venue, much like the Starlite Room in Edmonton. A larger "pit" with tall bar tables and stools surrounding. There is also an upstairs balcony area with a bar and seating that not only surrounds the top of the "pit" (I'm going to stop air quoting this...losing flow, and I think you know what I mean!), but also extends back on top of where merch and coatcheck would be on the main level. Although the set up of the venue makes for a larger crowd...the acoustics were not always the greatest. The opening band PS. I Love You (heard on CBC radio 3) was made up of two members, one guitarist and one drummer. They seemed like they good have a good sound, albeit slightly generic, but it was hard to really tell because of the poor sound. I'm not sure if it was because the space wasn't full yet, and there was a lot of "settling noise" (you know, when people are arriving etc) unfortunately. They played a set of about 7-8 songs, but nothing very memorable.
The band that seemed to be co-headlining this tour was Two Door Cinema Club out of the U.K. I'm not sure if this is how it was meant to be. For a lot of the show the crowd was going crazy for this indie/brit-pop-esque band. And it was easy to see why; they had their own indie rock sound that was constantly energetic and catchy, without the cliche part of catchy. The band sounds very different live than their album version of themselves, in a very very good way! They had their own character, even in such a distant (from the band) venue. One of my favourites is "Eat that up, It's good for you". Their newest album is called "Tourist History" which is definitely worth a listen.
Even though it did seem like the Montrealers (Montrolians? ...People who reside in beautiful Montreal...) were cheering their hardest for TDCC, they still had their lungs going for TPC (why, Tokyo Police Club, of course!) The last time I was able to see these guys was back in 2007, during a summer festival they have here in my city. Luckily it was just before they started making it big time, and I got to meet them, get autographs and even get a hug from the lead vocalist, Dave Monks (my first brush with celebrity that got me addicted ;) These were some of the nicest guys ever, and I'm sure they haven't changed. In a big venue like this it was dang near impossible to get near them, especially as we watched eagle-eyed from the balcony. They played an amazing set full of songs from their latest album "Champ". Two of their older songs, that I adore, "Nature of the Experiment" and "Your English is Good", were also included in the set. Monks has his own distinct but well-toned voice, and it's easy to see that the sound of the band has grown during the past few years. It seems difficult for many bands to improve their sound without changing it entirely or sounded too "mainstream", but Tokyo Police Club is definitely up to the challenge and handles it like already seasoned pros. Here's a taste of their live show (I'm not sure how much justice is done with the shaky camera, but it just gives you a reason to go see their show for real!): Bambi - Live in Montreal.
Speaking of TPC. I'll be seeing them again in April! They've just announced a tour with Said the Whale and Dinosaur Bones. If you're in the Edmonton area April 18, join me at the Starlite Room. They're always a good show, and adding Canadian band Said the Whale will make it even better!
As said above the concert was at Club Soda in Montreal, just off Saint Catherine St. It's a really cool venue, much like the Starlite Room in Edmonton. A larger "pit" with tall bar tables and stools surrounding. There is also an upstairs balcony area with a bar and seating that not only surrounds the top of the "pit" (I'm going to stop air quoting this...losing flow, and I think you know what I mean!), but also extends back on top of where merch and coatcheck would be on the main level. Although the set up of the venue makes for a larger crowd...the acoustics were not always the greatest. The opening band PS. I Love You (heard on CBC radio 3) was made up of two members, one guitarist and one drummer. They seemed like they good have a good sound, albeit slightly generic, but it was hard to really tell because of the poor sound. I'm not sure if it was because the space wasn't full yet, and there was a lot of "settling noise" (you know, when people are arriving etc) unfortunately. They played a set of about 7-8 songs, but nothing very memorable.
The band that seemed to be co-headlining this tour was Two Door Cinema Club out of the U.K. I'm not sure if this is how it was meant to be. For a lot of the show the crowd was going crazy for this indie/brit-pop-esque band. And it was easy to see why; they had their own indie rock sound that was constantly energetic and catchy, without the cliche part of catchy. The band sounds very different live than their album version of themselves, in a very very good way! They had their own character, even in such a distant (from the band) venue. One of my favourites is "Eat that up, It's good for you". Their newest album is called "Tourist History" which is definitely worth a listen.
Even though it did seem like the Montrealers (Montrolians? ...People who reside in beautiful Montreal...) were cheering their hardest for TDCC, they still had their lungs going for TPC (why, Tokyo Police Club, of course!) The last time I was able to see these guys was back in 2007, during a summer festival they have here in my city. Luckily it was just before they started making it big time, and I got to meet them, get autographs and even get a hug from the lead vocalist, Dave Monks (my first brush with celebrity that got me addicted ;) These were some of the nicest guys ever, and I'm sure they haven't changed. In a big venue like this it was dang near impossible to get near them, especially as we watched eagle-eyed from the balcony. They played an amazing set full of songs from their latest album "Champ". Two of their older songs, that I adore, "Nature of the Experiment" and "Your English is Good", were also included in the set. Monks has his own distinct but well-toned voice, and it's easy to see that the sound of the band has grown during the past few years. It seems difficult for many bands to improve their sound without changing it entirely or sounded too "mainstream", but Tokyo Police Club is definitely up to the challenge and handles it like already seasoned pros. Here's a taste of their live show (I'm not sure how much justice is done with the shaky camera, but it just gives you a reason to go see their show for real!): Bambi - Live in Montreal.
Speaking of TPC. I'll be seeing them again in April! They've just announced a tour with Said the Whale and Dinosaur Bones. If you're in the Edmonton area April 18, join me at the Starlite Room. They're always a good show, and adding Canadian band Said the Whale will make it even better!
Sunday, November 21, 2010
You Me Him and Us
So if it's not already, it should be clear that I'm pretty new to this. New to music/culture blogging that is...I could go on and on about myself and my life for ages, and I have for the past 6 years on my two previous blogs. But this little gem will be my glory (I hope); it's all up to you babydoll. Hopefully you like what you read, and pass it on, until I'm the one with copious amounts of Facebook friend requests.
I think I have one of the best starts to this genre of blogging, an epic weekend of amazing Canadian (8/9) bands!
To start let's bring in The Whitsundays, Christian Hansen & the Autistics and Shout Out Out Out Out to the Starlite Room for Untapped Alberta's grande musical finale. All three bands are home grown Alberta beauties but all with their own unique take on music (I was a die-hard Christian Hansen fan, but hadn't seen them perform ever before, so the two other acts were going to be an extra special treat either way). I had never heard about The Whitsundays before this show, but they completely impressed me. They had a more flowing, melodic rock feel to their sound. Perhaps it was because of the overwhelming feeling of playing to a sold out venue, but their stage presence definitely seemed subdued, like they had so much more to offer the crowd but were holding back some. The vocals and instruments ran like a well oiled-machine; some members even (gracefully) traded instruments during the set (and, at one point, even in the middle of a song!)(Yes, I said gracefully). No doubt that the highlight of the band's set was when the lead singer started playing the "theremin", an antenna-like instrument that is played without any actual contact from the musician. I'll find a picture of one, but it actually made my jaw drop. It's an eerie kind of sound, that increases/decreases/changes volume depending on where the player's hand is in position to the antenna! I'll admit I had no idea what it was, and just googled it now. As should you. Go on, I'll wait right here. Alright, back already? Life changed? Let's continue. Their set was shorter than the following two, but was to be expected for such a new up-and-coming band.
For anyone that knows of Christian Hansen & the Autistics, you know that even in their recorded vocals you can feel their enthusiasm oozing out of the speakers (their music videos just add to the effect). The show was their CD on overdrive (only in the good way of course). They played hard (no drum set in a band of four people was a surprise though), and they danced harder. Each of the four members of the band just get so into the song and into the lyrics (while singing "Calypso Hippo" Hansen threw coins into the crowd), that it's seemingly impossible not to do the same. Both of the guys and gals knew how to own the stage, albeit such a small one...Actually that made it all the more impressive when they danced without incidents. They were not only in each other faces but in the audiences as well. Christian Hansen played a shorter set just like The Whitsundays but it felt much longer because of it's never ending intensity.
On to the "headliner", or what I would fo sho call a headliner since the set was close to an hour, much longer than the other two....Shout Out Out Out Out. You might be asking your self is that many "outs" really necessary? Yes. Yes they are. Not only for the rhythmic and powerful chanting of "Shout! Out-Out! Out-Out!" by the pulsing crowd, but because one or two shouts would not do a rock-electronica band like this justice. I suppose this band leads to a ton of questions in general, such as: Rock-Electronica, really?; Two drum sets, REALLY?; and how are they playing the theremin without it even being on stage?! ...REALLY?! But in response, respectively: rock-electronica = filthy,hardcore,awesome; every band should have two; and I *%$#ing wish I knew. Before the curtains were even drawn the band had started their set, it was difficult to tell when one song ended and another began, which was a part of their songs dance-ability, but in a way also shows how each song could sound just like the other...The continuous stream of music was definitely impressive, but also definitely hard to keep up with! I'd say I'm a pretty avid concert goer, but I was beat after just a couple of minutes. The audience was feeling the music, no question, by the way they were dancing...But I have to throw in that by this time a lot of the audience (at least towards the stage) had had quite a few drinks. It was entertaining, but of course distracted from the music. SO4 (My nickname for the band, not to be confused with sulfate of course...) was high energy throughout the entire show, but for the most part didn't interact with the crowd (given, it's pretty hard to do so when your music is a never-ending flow of awesome). When I had heard that the band was electronica I'll admit I wasn't really into it, but willing to take a listen, as usual. But the rock influences completely changed an ordinary genre-categorized band into something that's recognized world-wide (the band recently toured Europe heavily). The band came out to play an encore, and even then they kept the crowd pumped up (while one member, Jason or Jayce, went to use the "facilities"). Click here to take a look at what went on.
The venue, the Starlite Room, is one of my favourites for concerts. It's on the smaller side but that leads to more personable shows. The majority of the time you do get to actually meet the band at the merchandise table, or just walking around "the pit" (as I call it, I'm sure there's some technical name). Membership is required for each and every show played here, but don't panic! Memberships can be (and usually are) bought while in line between two massive buildings (yes, the entrance is in a narrow alleyway, but a nice one!). One membership pass costs only $5 and is good for 1 year, and good for two entries each time. I don't think I need to tell you that I've been a member ever since I first fell in love with the place. There are two "floors": one with all the dranks, the merch and the unconditionally loved and overused ATM. There's also a few tables and booths, along with coat check. Down a few (literally, only about 6) stairs is the "pit", that I mentioned above. It's basically where everyone crowds once a band starts playing; one issue is that the floor is tilted here. If you didn't have rock-hard calves coming in then you for sure will once the instruments stop playing, the lights come on, and the bouncers start giving you funny looks for hanging around.
So, I hope you not only enjoyed my first post for my brand new blog, but that you also print it, frame it, and hang it on your wall like I will. Only kidding, silly! I wouldn't do that! Yet. The posts for the Hollerado and Dan Mangan concerts will be up in no time, I promise. Those you can frame, maybe even include a gold star too?
I think I have one of the best starts to this genre of blogging, an epic weekend of amazing Canadian (8/9) bands!
To start let's bring in The Whitsundays, Christian Hansen & the Autistics and Shout Out Out Out Out to the Starlite Room for Untapped Alberta's grande musical finale. All three bands are home grown Alberta beauties but all with their own unique take on music (I was a die-hard Christian Hansen fan, but hadn't seen them perform ever before, so the two other acts were going to be an extra special treat either way). I had never heard about The Whitsundays before this show, but they completely impressed me. They had a more flowing, melodic rock feel to their sound. Perhaps it was because of the overwhelming feeling of playing to a sold out venue, but their stage presence definitely seemed subdued, like they had so much more to offer the crowd but were holding back some. The vocals and instruments ran like a well oiled-machine; some members even (gracefully) traded instruments during the set (and, at one point, even in the middle of a song!)(Yes, I said gracefully). No doubt that the highlight of the band's set was when the lead singer started playing the "theremin", an antenna-like instrument that is played without any actual contact from the musician. I'll find a picture of one, but it actually made my jaw drop. It's an eerie kind of sound, that increases/decreases/changes volume depending on where the player's hand is in position to the antenna! I'll admit I had no idea what it was, and just googled it now. As should you. Go on, I'll wait right here. Alright, back already? Life changed? Let's continue. Their set was shorter than the following two, but was to be expected for such a new up-and-coming band.
For anyone that knows of Christian Hansen & the Autistics, you know that even in their recorded vocals you can feel their enthusiasm oozing out of the speakers (their music videos just add to the effect). The show was their CD on overdrive (only in the good way of course). They played hard (no drum set in a band of four people was a surprise though), and they danced harder. Each of the four members of the band just get so into the song and into the lyrics (while singing "Calypso Hippo" Hansen threw coins into the crowd), that it's seemingly impossible not to do the same. Both of the guys and gals knew how to own the stage, albeit such a small one...Actually that made it all the more impressive when they danced without incidents. They were not only in each other faces but in the audiences as well. Christian Hansen played a shorter set just like The Whitsundays but it felt much longer because of it's never ending intensity.
On to the "headliner", or what I would fo sho call a headliner since the set was close to an hour, much longer than the other two....Shout Out Out Out Out. You might be asking your self is that many "outs" really necessary? Yes. Yes they are. Not only for the rhythmic and powerful chanting of "Shout! Out-Out! Out-Out!" by the pulsing crowd, but because one or two shouts would not do a rock-electronica band like this justice. I suppose this band leads to a ton of questions in general, such as: Rock-Electronica, really?; Two drum sets, REALLY?; and how are they playing the theremin without it even being on stage?! ...REALLY?! But in response, respectively: rock-electronica = filthy,hardcore,awesome; every band should have two; and I *%$#ing wish I knew. Before the curtains were even drawn the band had started their set, it was difficult to tell when one song ended and another began, which was a part of their songs dance-ability, but in a way also shows how each song could sound just like the other...The continuous stream of music was definitely impressive, but also definitely hard to keep up with! I'd say I'm a pretty avid concert goer, but I was beat after just a couple of minutes. The audience was feeling the music, no question, by the way they were dancing...But I have to throw in that by this time a lot of the audience (at least towards the stage) had had quite a few drinks. It was entertaining, but of course distracted from the music. SO4 (My nickname for the band, not to be confused with sulfate of course...) was high energy throughout the entire show, but for the most part didn't interact with the crowd (given, it's pretty hard to do so when your music is a never-ending flow of awesome). When I had heard that the band was electronica I'll admit I wasn't really into it, but willing to take a listen, as usual. But the rock influences completely changed an ordinary genre-categorized band into something that's recognized world-wide (the band recently toured Europe heavily). The band came out to play an encore, and even then they kept the crowd pumped up (while one member, Jason or Jayce, went to use the "facilities"). Click here to take a look at what went on.
The venue, the Starlite Room, is one of my favourites for concerts. It's on the smaller side but that leads to more personable shows. The majority of the time you do get to actually meet the band at the merchandise table, or just walking around "the pit" (as I call it, I'm sure there's some technical name). Membership is required for each and every show played here, but don't panic! Memberships can be (and usually are) bought while in line between two massive buildings (yes, the entrance is in a narrow alleyway, but a nice one!). One membership pass costs only $5 and is good for 1 year, and good for two entries each time. I don't think I need to tell you that I've been a member ever since I first fell in love with the place. There are two "floors": one with all the dranks, the merch and the unconditionally loved and overused ATM. There's also a few tables and booths, along with coat check. Down a few (literally, only about 6) stairs is the "pit", that I mentioned above. It's basically where everyone crowds once a band starts playing; one issue is that the floor is tilted here. If you didn't have rock-hard calves coming in then you for sure will once the instruments stop playing, the lights come on, and the bouncers start giving you funny looks for hanging around.
So, I hope you not only enjoyed my first post for my brand new blog, but that you also print it, frame it, and hang it on your wall like I will. Only kidding, silly! I wouldn't do that! Yet. The posts for the Hollerado and Dan Mangan concerts will be up in no time, I promise. Those you can frame, maybe even include a gold star too?
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