Zooey Deschanel, the dark haired actress that everyone is smitten with, has been growing as a recording artist for a while now, especially with her duo She & Him. This has nothing to do with She & Him.
Zooey recently recording a song, "What Are You Doing New Year's Eve?" with co-star (in the backwards love-story, 500 Days of Summer) Joseph Gordon-Levitt. I'm a huge fan of JGL, ever since his 3rd Rock from the Sun days, but I, for one, had no idea that JGL could sing (it seems like everyone can at least try their luck at it nowadays). I'll be honest, being at work right now with a flash player that willl never work, I haven't heard the song just yet. So really, I wanted you to hear this first (sure...there are people around the world who could hear it too, but let's not think about them).
Enjoy!
Thursday, December 29, 2011
Michael Rault says goodbye to Edmonton
Yes, it's been said before, doesn't make the news any better though: Michael Rault will be leaving Edmonton for the French pastures of Montreal, along with his sister, this coming January. His last show will be at the ARTery this Saturday (a New Year's plan for those late planners and procrastinators). Sandra Sperounes wrote this article in the Edmonton Journal just minutes ago, and maybe Rault is right: "Maybe you have to go away for awhile to build up the mystique about you.” Only time will tell.
Sunday, December 18, 2011
Sheepdogs...well..I Don't Know
Yesterday I was lucky enough to be able to go to Sonic for one of their intermittent "Sonic Sessions", where a band, usually playing a venue later on that night, will come and perform in their "Listener Lounge" for about 40 audience members. The room is tight, the fans are eager, and the band usually sounds great for such a small space.
This time, however, the buzz band, the Sheepdogs, had no notes, riffs, or raspy vocals for us to enjoy. Not quite clear exactly why the band, out of Saskatoon, Saskatchewan was not able to play (something to do with "all the promotion around the night's show....they weren't allowed to play prior...or something to that effect), but it was disappointing, to say the least. I'm not sure about other people who attended, but I was there since I didn't get tickets to their sold-out show at the Starlite Room later on that evening. I was there to hear them play. Sure, they signed the free EP vinyl that they gave away (named "Five Easy Pieces"), and sure they did a longer than normal interview with one of the DJ personalities that regularly hosts the Sonic Sessions. But really, for an up and coming band, no matter how talked about they are, it was not the best first impression. Tons of major bands and artists have played in the lounge before, and yes, I know they're restricted by their record label, but doesn't mean that it doesn't irk me (for lack of a more appropriate word). I hope this really was the fault of the label, and has nothing to do with a stereotypical "Rock Star" status that tends to appear when a new band reaches fame so quickly.
This time, however, the buzz band, the Sheepdogs, had no notes, riffs, or raspy vocals for us to enjoy. Not quite clear exactly why the band, out of Saskatoon, Saskatchewan was not able to play (something to do with "all the promotion around the night's show....they weren't allowed to play prior...or something to that effect), but it was disappointing, to say the least. I'm not sure about other people who attended, but I was there since I didn't get tickets to their sold-out show at the Starlite Room later on that evening. I was there to hear them play. Sure, they signed the free EP vinyl that they gave away (named "Five Easy Pieces"), and sure they did a longer than normal interview with one of the DJ personalities that regularly hosts the Sonic Sessions. But really, for an up and coming band, no matter how talked about they are, it was not the best first impression. Tons of major bands and artists have played in the lounge before, and yes, I know they're restricted by their record label, but doesn't mean that it doesn't irk me (for lack of a more appropriate word). I hope this really was the fault of the label, and has nothing to do with a stereotypical "Rock Star" status that tends to appear when a new band reaches fame so quickly.
Friday, December 2, 2011
Farewell 2011 & Michael Rault
So you've been patiently awaiting to hear this announcement...since a few minutes ago. Well here goes the big news that you may or may not already know: Michael Rault will be moving away from Edmonton, and setting up camp out east in Montreal. It's bittersweet to see such a great artist move away from their hometown, much like Christian Hansen & the Autistics a few months ago. It's amazing to see bands and musicians grow and develop over the years, but still a bit sad that I won't get to see them every other week, or see them walking down the street. I'm so glad that MR will be able to hopefully get his sound out to more and more people and am already excited for his first time back playing in Edmonton.
But WAIT. THERE'S MORE. Before moving away, Michael Rault will be having one last hurrah, playing along with another favourite of mine, Scenic Route to Alaska, on New Year's Eve at the ARTery. Tickets are on sale now through YEGlive, and if you're interested, which...well...let's not play around here, I know you are, I would get them ASAP. The ARTery is a very small venue, and I can see these bands being crazy fun to ring in the new year with! (I'm not so bad either).
But WAIT. THERE'S MORE. Before moving away, Michael Rault will be having one last hurrah, playing along with another favourite of mine, Scenic Route to Alaska, on New Year's Eve at the ARTery. Tickets are on sale now through YEGlive, and if you're interested, which...well...let's not play around here, I know you are, I would get them ASAP. The ARTery is a very small venue, and I can see these bands being crazy fun to ring in the new year with! (I'm not so bad either).
Priceless laugher and price-less music
For the longest time, about 1/2 a month!, I haven't had much to say. The end of November was not stellar for shows/concerts and I just wasn't feeling inspired to write any non-concert entries! But now, oh boy, let me tell you, I ...have quite a bit to tell you!
First off lets start with the more dire, urgent and pressing matters that you must attend to immidiately! Comedian Demetri Martin is coming to Canada, and more specifically the Winspear Centre in Edmonton, as part of his "Telling Jokes in Cold Places 2012" tour. I'm not sure if you've been able (or so fortunate) as to see Martin before or to even see his Comedy Network show/youtube shorts, but if you haven't you MUST! Tickets for his January 5th show in Edmonton just went on sale today at 10am. Visit http://www.winspearcentre.com/ to purchase! (Martin often tells jokes to the light strum of his acoustic guitar, so...it *could* be considered concert-like...with hilarious outcomes).
Next up to the stage (and technically even more crucial right now) is Acres of Lions. The Victoria, B.C band is dishing out the Christmas presents early this year and playing an absolutely FREE show at Filthy McNasty's this Saturday. Straight from the lions' mouth, it'll be an early show (doors at 4pm), and no minors allowed. If you're hanging around the house doing nothing this Saturday, or enjoy a FREE show as much as...me, then I'll see you there! I mentioned it's free right? You can sample them on CBC Radio 3.
I have one other special surprise for you....But am giving a whole, entire post for it. Stay tuned.
First off lets start with the more dire, urgent and pressing matters that you must attend to immidiately! Comedian Demetri Martin is coming to Canada, and more specifically the Winspear Centre in Edmonton, as part of his "Telling Jokes in Cold Places 2012" tour. I'm not sure if you've been able (or so fortunate) as to see Martin before or to even see his Comedy Network show/youtube shorts, but if you haven't you MUST! Tickets for his January 5th show in Edmonton just went on sale today at 10am. Visit http://www.winspearcentre.com/ to purchase! (Martin often tells jokes to the light strum of his acoustic guitar, so...it *could* be considered concert-like...with hilarious outcomes).
Next up to the stage (and technically even more crucial right now) is Acres of Lions. The Victoria, B.C band is dishing out the Christmas presents early this year and playing an absolutely FREE show at Filthy McNasty's this Saturday. Straight from the lions' mouth, it'll be an early show (doors at 4pm), and no minors allowed. If you're hanging around the house doing nothing this Saturday, or enjoy a FREE show as much as...me, then I'll see you there! I mentioned it's free right? You can sample them on CBC Radio 3.
I have one other special surprise for you....But am giving a whole, entire post for it. Stay tuned.
Thursday, November 17, 2011
Yer Fall
Even though the weather outside is frightful (literally), there's no reason not to curl up with a blanket, cup of tea and a Hey Rosetta! concert! (Except, maybe, don't bring your blanket and tea....theatres tend to frown on that...)
Tuesday night the 7 piece indie rock/folk band from Newfoundland brought along the Aussie band, the Jezebels. When the 2 guys-2 girl band took to the stage I immediately assumed I wouldn't like them (mostly due to the fact that the lead singer, Hayley Mary, was wearing what looked eerily similar to a leather onesie. Not to judge a book by it's cover...but I definitely did. However after one song they had me convinced that they were something on the special side. Mary's voice is hard to describe, but can be compared to Karen O from the Yeah, Yeah, Yeah's. She definitely has a huge vocal range that impressed me. After their set I found out that they are one of the most popular bands in Australia right now, selling out something like 20,000 capacity stadiums...! Funny that here they're opening the Myer Horowitz for a homegrown band...But I suppose you have to start somewhere! They bring a funny sort of energy to the stage, with Mary's slightly awkward dancing, and the bands dry, but easy and appreciative banter. I can see them getting popular here in Canada, especially with a song like Easy to Love. One of the few times I sincerely enjoyed an opening band (well, one that I hadn't heard of beforehand anyway!).
Hey Rosetta! took to the stage at about 9.30 and played about a 1.5 hour set. I'll get the one complaint I had out of the way (which will make me sound much older than I am, I'm sure): after the 2nd song the audience was all on it's feet. Granted it was encouraged by HR's lead singer, but when I see a show at a theatre or the like I don't want/expect to be standing around, especially when listening to slow folk (for the most part, they do have a few fast paced songs, yes, but for me the majority of it is not music I would be getting up to dance to). I tried to stick to my guns for the first couple of songs, but when you're the only person left sitting in a theatre, vision becomes a little obscured (which it shouldn't be when you're in the first few rows). Anyhow, it didn't affect the music obviously, but definitely changed the concert experience for me.
HR played a set including Red Heart, Seeds, and an encore that including David Bowie/Mott the Hoople cover medley. The crowd was obviously enjoying it, with what seemed like a tonne of ex-Newfoundlanders (and biggest fans) making up the audience. One of the most important things at a concert can be who else is attending, and how the audience creates an energy and buzz. The vibe was great at the show with so many people mouthing along to Tim Baker's vocals. This would be the 2nd time I was able to see HR, after seeing them open for the Tragically Hip in summer, and each time the band's layering of instruments has left me impressed. I especially loved watching the string section change instruments for different songs, and even during songs sometimes.
I have to say that one of my favourite parts of the show may have even been when the Jezebels helped set off a confetti machine during the last few songs and encore. However, it wasn't just any old confetti machine, my friends. No, no, this one was particularly Canadian: the "confetti" was made up of red, yellow, and orange maple leafs. This touch of the season completed the perfect ending to the "Yer Fall" tour.
Tuesday night the 7 piece indie rock/folk band from Newfoundland brought along the Aussie band, the Jezebels. When the 2 guys-2 girl band took to the stage I immediately assumed I wouldn't like them (mostly due to the fact that the lead singer, Hayley Mary, was wearing what looked eerily similar to a leather onesie. Not to judge a book by it's cover...but I definitely did. However after one song they had me convinced that they were something on the special side. Mary's voice is hard to describe, but can be compared to Karen O from the Yeah, Yeah, Yeah's. She definitely has a huge vocal range that impressed me. After their set I found out that they are one of the most popular bands in Australia right now, selling out something like 20,000 capacity stadiums...! Funny that here they're opening the Myer Horowitz for a homegrown band...But I suppose you have to start somewhere! They bring a funny sort of energy to the stage, with Mary's slightly awkward dancing, and the bands dry, but easy and appreciative banter. I can see them getting popular here in Canada, especially with a song like Easy to Love. One of the few times I sincerely enjoyed an opening band (well, one that I hadn't heard of beforehand anyway!).
Hey Rosetta! took to the stage at about 9.30 and played about a 1.5 hour set. I'll get the one complaint I had out of the way (which will make me sound much older than I am, I'm sure): after the 2nd song the audience was all on it's feet. Granted it was encouraged by HR's lead singer, but when I see a show at a theatre or the like I don't want/expect to be standing around, especially when listening to slow folk (for the most part, they do have a few fast paced songs, yes, but for me the majority of it is not music I would be getting up to dance to). I tried to stick to my guns for the first couple of songs, but when you're the only person left sitting in a theatre, vision becomes a little obscured (which it shouldn't be when you're in the first few rows). Anyhow, it didn't affect the music obviously, but definitely changed the concert experience for me.
HR played a set including Red Heart, Seeds, and an encore that including David Bowie/Mott the Hoople cover medley. The crowd was obviously enjoying it, with what seemed like a tonne of ex-Newfoundlanders (and biggest fans) making up the audience. One of the most important things at a concert can be who else is attending, and how the audience creates an energy and buzz. The vibe was great at the show with so many people mouthing along to Tim Baker's vocals. This would be the 2nd time I was able to see HR, after seeing them open for the Tragically Hip in summer, and each time the band's layering of instruments has left me impressed. I especially loved watching the string section change instruments for different songs, and even during songs sometimes.
I have to say that one of my favourite parts of the show may have even been when the Jezebels helped set off a confetti machine during the last few songs and encore. However, it wasn't just any old confetti machine, my friends. No, no, this one was particularly Canadian: the "confetti" was made up of red, yellow, and orange maple leafs. This touch of the season completed the perfect ending to the "Yer Fall" tour.
Friday, November 4, 2011
Dan Mangan and his man-gang
Dan Mangan and his Man-Gang (clever words from opening band, The Daredevil Chrisopher Wright) shook the walls of McDougall United Church last night. I have been waiting for a great band to play here for quite a few years, since I've heard it's one of the best places in the city for acoustics and sound. It definitely didn't dissapoint.
After waiting outside for about 45 minutes (one of the only downsides to the show), we grabbed a spot on the 2nd level, or balcony of the church. It's hard to say that there's a bad spot for seating in the venue since every seat is a few inches above the rows ahead. However there are a few pews that are partially tucked behind pillars...which apparently called for people to start sitting on the floor, and stairs and partially blocking my view of the stage.
The show started around 8 with The Crackling as the opening band. I've talked a bit about this band before, after having seen them open for Mangan last November. Why they'd be opening for the same band you might ask? Well Kenton Loewen, lead guitarist and vocalist for The Crackling actually plays drums in Mangan's band....with the rest of the 4 piece Crackling also belonging to Dan Mangan's band. So since there is such an overlap (with everyone, except Mangan, playing in both bands), it only makes sense to have them opening for his set. What made even more sense and was a nice surprise is when Mangan came out to play drums for the set, and completed the parralel-universe................
The Crackling played a very short set of 4-5 songs before the 2nd opening band, The Daredevil Christopher Wright (yes, that's a band name!), came out on stage. The set was done entirely acoustically with two guitars, and appearances from the xylophone, drums and...wait for it...the recorder. I personally thought they ceased to exist after Grade 6. The singers voice immediately caught my attention, but I can't pinpoint why. I don't wanna say he had a soft voice, because it still held a lot of power to it, but it was just so...flowly and melodic. Which...sounds...much more lame than I meant it to...But I feel like you understand me.
TDCW played a longer set for about 45mins-1hour. As I mentioned above the acoustics in this venue were always talked about to be amazing. And from the first note of the Crackling and especially during the softer harmonies of TDCW, it was easy to see why everyone raves about McDougall. The sound was crystal clear, and even on the 2nd balcony still sounded like we were sitting in an intimate room with each band.
Dan Mangan and co. came out at about 10pm, and I thought he'd only end up playing about an hour. Max. Boy, did he prove me wrong. When the show ended almost an hour and 45 minutes later, I couldn't see one person that wasn't on their feet. He played his "classics" (they feel like they should be) like "Road Regrets", "The Indie Queens Are Waiting", along with the majority of his new album Oh Fortune. Some songs he played with his backing band, and some were completely solo and done acoustically. I'd have to wrack my brain to think of something terrible to say about a set that seems so full of ...life. That sounds sarcastic, especially with ellipses...but really it's just me that can't think of anything else to say! Of course the encore included "Robots", Mangan's classic sing-a-long. Each and every time I've been lucky enough to be around for this song it's been just as powerful as the last time. This most recent time had Dan jump down from the stage with his guitar and a microphone, and standing on two of the church pews. Everyone was standing, clapping and singing along to "Robots need love too/They wanna be loved by you", and gave such a sense of...belonging. Along with his charismatic wit, and easy going banter, Mangan's shows are seem to always be full of good-natured, homegrown Canadiana.
After waiting outside for about 45 minutes (one of the only downsides to the show), we grabbed a spot on the 2nd level, or balcony of the church. It's hard to say that there's a bad spot for seating in the venue since every seat is a few inches above the rows ahead. However there are a few pews that are partially tucked behind pillars...which apparently called for people to start sitting on the floor, and stairs and partially blocking my view of the stage.
The show started around 8 with The Crackling as the opening band. I've talked a bit about this band before, after having seen them open for Mangan last November. Why they'd be opening for the same band you might ask? Well Kenton Loewen, lead guitarist and vocalist for The Crackling actually plays drums in Mangan's band....with the rest of the 4 piece Crackling also belonging to Dan Mangan's band. So since there is such an overlap (with everyone, except Mangan, playing in both bands), it only makes sense to have them opening for his set. What made even more sense and was a nice surprise is when Mangan came out to play drums for the set, and completed the parralel-universe................
The Crackling played a very short set of 4-5 songs before the 2nd opening band, The Daredevil Christopher Wright (yes, that's a band name!), came out on stage. The set was done entirely acoustically with two guitars, and appearances from the xylophone, drums and...wait for it...the recorder. I personally thought they ceased to exist after Grade 6. The singers voice immediately caught my attention, but I can't pinpoint why. I don't wanna say he had a soft voice, because it still held a lot of power to it, but it was just so...flowly and melodic. Which...sounds...much more lame than I meant it to...But I feel like you understand me.
TDCW played a longer set for about 45mins-1hour. As I mentioned above the acoustics in this venue were always talked about to be amazing. And from the first note of the Crackling and especially during the softer harmonies of TDCW, it was easy to see why everyone raves about McDougall. The sound was crystal clear, and even on the 2nd balcony still sounded like we were sitting in an intimate room with each band.
Dan Mangan and co. came out at about 10pm, and I thought he'd only end up playing about an hour. Max. Boy, did he prove me wrong. When the show ended almost an hour and 45 minutes later, I couldn't see one person that wasn't on their feet. He played his "classics" (they feel like they should be) like "Road Regrets", "The Indie Queens Are Waiting", along with the majority of his new album Oh Fortune. Some songs he played with his backing band, and some were completely solo and done acoustically. I'd have to wrack my brain to think of something terrible to say about a set that seems so full of ...life. That sounds sarcastic, especially with ellipses...but really it's just me that can't think of anything else to say! Of course the encore included "Robots", Mangan's classic sing-a-long. Each and every time I've been lucky enough to be around for this song it's been just as powerful as the last time. This most recent time had Dan jump down from the stage with his guitar and a microphone, and standing on two of the church pews. Everyone was standing, clapping and singing along to "Robots need love too/They wanna be loved by you", and gave such a sense of...belonging. Along with his charismatic wit, and easy going banter, Mangan's shows are seem to always be full of good-natured, homegrown Canadiana.
Tuesday, November 1, 2011
Wasting Light
Oh...was it Halloween? I was too busy hanging out with the Cage the Elephant, Foo Fighters, and Sam Roberts to notice any vampires, ghouls, or witches. My bad.
Friday morning, bright and early at 6am, the weekend started (even though work came in between for a few hours), when I got to take in Sonic's 7th annual Halloweenie roast. I never knew breakfast could be so magical until they decided to make it a can of pop, full-size chocolate bar, and hot dog. All for the low low price of free.
That night was to be the "greatest rock show in the city of the year": Foo Fighters. They took to the stage at about 9pm, just after Cage the Elephant played an energetic set, and Mariachi El Bronx played Edmonton for the first time ever.
M.E.B was good...for a mariachi rock band...The guitar was amazing (there were 3 of them after all), along with a violin, drum kit, and two trupets. However the singing did nothing to impress me. I actually enjoy their intrumental songs a bit more. The singing wasn't awful by any means...it just didn't seem right with that type of music.
Oh...Cage the Elephant. I wonder if they'll ever get any of the recognition from concert goers like they deserve. I haven't been able to see them headline a show just yet, but I feel like that would make the night go a lot differently. This time, it was like deja vu, reminding me of when they opened for the Black Keys earlier in the year. The arena wasn't very full when they started their set, and even the people who were there didn't see too into it. Granted they are quite an intense band, especially singer Matt Schultz, but that should only add to the whole experience...right?! Since when did it become the norm to only want a band to come out, say nothing, play some songs that sound just like they do on the radio or album, and walk away, again saying nothing? I love the energey that CtE puts into each show, and the fact that Schultz is willing to get up there and scream, and almost always be so near to tearing his shirt off in angst.
Foo Fighters to the stage on schedule and played for 2.5 hours. I don't have much to say, since they are a well-tuned machine and know exactly what/how/when to say things to a doe-eyed audience. They played classics like "Monkey Wrench", "All my life", "Best of you", "This is a call" etc, and ended their 45 minute encore with "Everlong". The only complaint I could think of would be that they didn't play ENOUGH of songs I personally wanted to hear like "D.O.A" or "For all the cows", but you can't win em all can you. Their extros to some songs were quite heavy and long, and depending on the person could've rocked your world, or been a lullaby. I was glad to get my money's worth for an expensive ticket, but didn't expect any less from this generation's greatest living musician, Dave Grohl. It would've just seemed odd if they played an hour and left without a few witty comments and banter.
Stay tuned for part II of this post for Halloween weekend: Sam Roberts. I thought you'd appreciate a double feature. Well...I hope. It'll be up in a jiff! (Time me for a jiff. I'll beat it)
PS - NOV04. For those waiting and holding their breaths for the Sam Roberts post....keep holding on. It'll be up tomorrow. Yes. Its after my latest post....Shhh.
Friday morning, bright and early at 6am, the weekend started (even though work came in between for a few hours), when I got to take in Sonic's 7th annual Halloweenie roast. I never knew breakfast could be so magical until they decided to make it a can of pop, full-size chocolate bar, and hot dog. All for the low low price of free.
That night was to be the "greatest rock show in the city of the year": Foo Fighters. They took to the stage at about 9pm, just after Cage the Elephant played an energetic set, and Mariachi El Bronx played Edmonton for the first time ever.
M.E.B was good...for a mariachi rock band...The guitar was amazing (there were 3 of them after all), along with a violin, drum kit, and two trupets. However the singing did nothing to impress me. I actually enjoy their intrumental songs a bit more. The singing wasn't awful by any means...it just didn't seem right with that type of music.
Oh...Cage the Elephant. I wonder if they'll ever get any of the recognition from concert goers like they deserve. I haven't been able to see them headline a show just yet, but I feel like that would make the night go a lot differently. This time, it was like deja vu, reminding me of when they opened for the Black Keys earlier in the year. The arena wasn't very full when they started their set, and even the people who were there didn't see too into it. Granted they are quite an intense band, especially singer Matt Schultz, but that should only add to the whole experience...right?! Since when did it become the norm to only want a band to come out, say nothing, play some songs that sound just like they do on the radio or album, and walk away, again saying nothing? I love the energey that CtE puts into each show, and the fact that Schultz is willing to get up there and scream, and almost always be so near to tearing his shirt off in angst.
Foo Fighters to the stage on schedule and played for 2.5 hours. I don't have much to say, since they are a well-tuned machine and know exactly what/how/when to say things to a doe-eyed audience. They played classics like "Monkey Wrench", "All my life", "Best of you", "This is a call" etc, and ended their 45 minute encore with "Everlong". The only complaint I could think of would be that they didn't play ENOUGH of songs I personally wanted to hear like "D.O.A" or "For all the cows", but you can't win em all can you. Their extros to some songs were quite heavy and long, and depending on the person could've rocked your world, or been a lullaby. I was glad to get my money's worth for an expensive ticket, but didn't expect any less from this generation's greatest living musician, Dave Grohl. It would've just seemed odd if they played an hour and left without a few witty comments and banter.
Stay tuned for part II of this post for Halloween weekend: Sam Roberts. I thought you'd appreciate a double feature. Well...I hope. It'll be up in a jiff! (Time me for a jiff. I'll beat it)
PS - NOV04. For those waiting and holding their breaths for the Sam Roberts post....keep holding on. It'll be up tomorrow. Yes. Its after my latest post....Shhh.
Monday, October 24, 2011
Zerbin
This extremely late post is my fault. Who decided to put the "Save post" button so close to the "Pulish post" buttom? Anyhow, enjoy!
Last night I was able to catch Sonic's most recent band of the month for October, Zerbin. The band is made up of 5 members and took to the stage at about 11pm. Even though it was a Wednesday, I thought that the Pawnshop would eventually fill out as it usually does when the night carries on. This time however the venue stayed relatively..."spacious". Only the front of the stage had audience memebrs, while the back only had the empty booths and bartenders hanging around.
The band was actually good live. I didn't mean for that to come out as condescening, but...it did.... And that's only because there's no other way to put it; I like their radio single quite a bit, but thought that that would be it. For me they were reminiscient of Coldplay, while my concert buddy thought they were borderline Snow Patrol-clones. For me it's hard to say I really like a band when I can so easily compare them to others. Even though they did in fact play a really good set, and the singer, Jason Zerbin (yup, you guessed it, the band is named after him), has a great vocal range, I just didn't "feel" anything. I wouldn't be opposed to seeing them or listening to their album once more for a clearer idea, but I just wasn't drawn into it as much as I have been with other local acts. But then again my concert buddy just near fell in love when he saw them perform, so between the two of us there was no middle ground. Make your own decision! Since the band is homegrown they play around the city quite often. Right now they just set off for the Eastern side of the country, but I would definitely suggest checking them out when they set their sights back home!
Last night I was able to catch Sonic's most recent band of the month for October, Zerbin. The band is made up of 5 members and took to the stage at about 11pm. Even though it was a Wednesday, I thought that the Pawnshop would eventually fill out as it usually does when the night carries on. This time however the venue stayed relatively..."spacious". Only the front of the stage had audience memebrs, while the back only had the empty booths and bartenders hanging around.
The band was actually good live. I didn't mean for that to come out as condescening, but...it did.... And that's only because there's no other way to put it; I like their radio single quite a bit, but thought that that would be it. For me they were reminiscient of Coldplay, while my concert buddy thought they were borderline Snow Patrol-clones. For me it's hard to say I really like a band when I can so easily compare them to others. Even though they did in fact play a really good set, and the singer, Jason Zerbin (yup, you guessed it, the band is named after him), has a great vocal range, I just didn't "feel" anything. I wouldn't be opposed to seeing them or listening to their album once more for a clearer idea, but I just wasn't drawn into it as much as I have been with other local acts. But then again my concert buddy just near fell in love when he saw them perform, so between the two of us there was no middle ground. Make your own decision! Since the band is homegrown they play around the city quite often. Right now they just set off for the Eastern side of the country, but I would definitely suggest checking them out when they set their sights back home!
Monday, October 17, 2011
Break in the Road
Look what I just found on Facebook and since I couldn't figure out how to "Share" to this blog...I just decided to ...share...on this blog!
As far as I can tell it'll be a mix of different artists showcasing some skills. Skills which I'm not completely 100% on...However I can gurarantee "Michael Rault DJ" will be there! As should you!
Friday, October 14, 2011
ATAA Street Team Showcase
The ATAA (or Arts Touring Alliance of Alberta, for long) has put together it's first ever artist showcase, and will be showing off (get it?) this upcoming Thursday, Oct 20. The coolest part about this showcase? It's free!
The night will feature amazing local artists Michael Bernard Fitzgerald, 100 mile house, Scenic Route to Alaska, and Fast Moving Mountains. Those of you who follow this blog religiously (I hope you exist, otherwise this might be embarrassing), will know that 2/4 of those groups are counted in my favourites bands. (MBF, and SRtA). I've also been trying to find a way to see 100 mile house band after hearing only great things about them, and Fast Moving Mountains should be the cherry on the free show supporting a great organization.
Follow this link to join their Facebook group; the first 50 people to join, and send them a tweet @albertashowcase explaining why they should get chosen to go will get in the doors! After 50...well...I think that you might just get left out in the windy and damp outdoors.
The night will feature amazing local artists Michael Bernard Fitzgerald, 100 mile house, Scenic Route to Alaska, and Fast Moving Mountains. Those of you who follow this blog religiously (I hope you exist, otherwise this might be embarrassing), will know that 2/4 of those groups are counted in my favourites bands. (MBF, and SRtA). I've also been trying to find a way to see 100 mile house band after hearing only great things about them, and Fast Moving Mountains should be the cherry on the free show supporting a great organization.
Follow this link to join their Facebook group; the first 50 people to join, and send them a tweet @albertashowcase explaining why they should get chosen to go will get in the doors! After 50...well...I think that you might just get left out in the windy and damp outdoors.
Saturday, October 8, 2011
Secret House Concert Pictures
Finally added pictures of the secret house concert with Library Voices and Dinosaur Bones from last month! They're on Picasa, but if I did it correctly you should only be able to view them if you use this link!
PS. Hope to see you at the Collective West/Snailhouse/Zachary Lucky show tonight at Haven Social Club on Stony Plain Rd. :)
PS. Hope to see you at the Collective West/Snailhouse/Zachary Lucky show tonight at Haven Social Club on Stony Plain Rd. :)
Tuesday, October 4, 2011
Edmonton Music Awards - Update for 2012
The Edmonton Music Awards recognize local artists from the city and surrounding area based on works released from the year past. There will be some updates to nomination categories for the coming year as follows (quoted from an EMA email):
"A couple months ago we asked 'What award categories would you like to see included in the 2012 Edmonton Music Awards'?
Thanks to the overwhelming amount of suggestions and feedback we received from the many Edmonton and area music supporters, we are excited to share the list of award categories for the 2012 Edmonton Music Awards
Album Of The Year
Single Of The Year
Group Of The Year
Male Artist Of The Year
Female Artists Of The Year
Pop Album Of The Year
Rap/Hip Hop Album Of The Year
Country Album Of The Year
Roots/Folk Album Of The Year
Rock Album Of The Year
Metal Album Of The Year
Blues Album Of The Year
Jazz Album Of The Year
R&B/Soul Album Of The Year
Music Video Of The Year
Artist To Watch*
People’s Choice*
*Winner determined by online voting
Who was eligible for an EMA?Any artists from the Edmonton area, including St. Albert, Sherwood Park, Leduc, Stony Spruce Grove & Stony Plain (maximum 100km radius). The eligibility period for the 2012 Edmonton Music Awards is between January 1, 2011 and December 31st, 2011. This means that the artist's product (single, album, or video) must have been released to the general public within this time frame. The 'Release date' for EMA eligibility purposes is defined as the date of the first shipment to retail, radio or the date of first online transaction. Proof of transaction or shipment may be requested. The only exception is the category for Artist To Watch. This category is reserved for artist with plans on releasing new material in 2012. Artists from outside the area, who recorded their releases in Edmonton, will also be considered.
Do artists have to submit to be considered?YES! If you are an artist who is eligible for a 2012 Edmonton Music Award and would like to be considered, please see the submission guidelines on EdmontonMusicAwards.comEdmonton Music Awards"
"A couple months ago we asked 'What award categories would you like to see included in the 2012 Edmonton Music Awards'?
Thanks to the overwhelming amount of suggestions and feedback we received from the many Edmonton and area music supporters, we are excited to share the list of award categories for the 2012 Edmonton Music Awards
Album Of The Year
Single Of The Year
Group Of The Year
Male Artist Of The Year
Female Artists Of The Year
Pop Album Of The Year
Rap/Hip Hop Album Of The Year
Country Album Of The Year
Roots/Folk Album Of The Year
Rock Album Of The Year
Metal Album Of The Year
Blues Album Of The Year
Jazz Album Of The Year
R&B/Soul Album Of The Year
Music Video Of The Year
Artist To Watch*
People’s Choice*
*Winner determined by online voting
Who was eligible for an EMA?Any artists from the Edmonton area, including St. Albert, Sherwood Park, Leduc, Stony Spruce Grove & Stony Plain (maximum 100km radius). The eligibility period for the 2012 Edmonton Music Awards is between January 1, 2011 and December 31st, 2011. This means that the artist's product (single, album, or video) must have been released to the general public within this time frame. The 'Release date' for EMA eligibility purposes is defined as the date of the first shipment to retail, radio or the date of first online transaction. Proof of transaction or shipment may be requested. The only exception is the category for Artist To Watch. This category is reserved for artist with plans on releasing new material in 2012. Artists from outside the area, who recorded their releases in Edmonton, will also be considered.
Do artists have to submit to be considered?YES! If you are an artist who is eligible for a 2012 Edmonton Music Award and would like to be considered, please see the submission guidelines on EdmontonMusicAwards.comEdmonton Music Awards"
Sunday, October 2, 2011
Venturing to the Deep Dark Woods
I'm not quite sure how to describe the Saskatoon based band, The Deep Dark Woods...They're not just folk, they're not just country, they're not just "alternative", and they're not just typical. I had never actually heard this band before, but had heard good things from quite a few different people. They had recently been in Edmonton in August to perform at Folk Fest, which I was unfortunately out of the country for. But this was the perfect opportunity to see them, and see a new venue at the Royal Alberta Musuem.
I had never had the chance, or even known that the museum had a facility to accommodate music, but the band fit the venue just right. It was a smaller theatre within the museum, that fits 417 people (yes, I went to their website to check...), with three seating sections and a stage that easily held two different 6 piece bands.
It took longer than usual to have the opening band start, about 1 1/2 hour after doors opened. I hadn't been to this venue before, but it seemed like everyone was just starting to get a bit impatient with how long it was taking, especially since it was 1/2 that we were made to wait in the foyer after doors opened, but before we could actually get into the theatre.
I had never had the chance, or even known that the museum had a facility to accommodate music, but the band fit the venue just right. It was a smaller theatre within the museum, that fits 417 people (yes, I went to their website to check...), with three seating sections and a stage that easily held two different 6 piece bands.
It took longer than usual to have the opening band start, about 1 1/2 hour after doors opened. I hadn't been to this venue before, but it seemed like everyone was just starting to get a bit impatient with how long it was taking, especially since it was 1/2 that we were made to wait in the foyer after doors opened, but before we could actually get into the theatre.
Hollerado meets our mayor
When it was announced shortly after Sonic Boom 2011 (Sept 04), that Hollerado would be making a stop in Edmonton, during their upcoming "Meet the Mayor" tour, I already knew that I would be going to see them no matter the venue/cost. Well little did I know that they would choose to perform at Wunderbar, one of the smaller venues in Edmonton, for an intimate group of about 90 people. The event was going to be done "Wunderbar style" as well; this means that it would be on a "first come first served" basis (if you weren't one of the first 90 people through the door, well...hopefully you'd be around next time they toured...)
I was pretty nervous and thought that there would be a massive line for a band that's been creating a following during the past year. Lots of radio play for their songs "Americanarama", and "Juliette" along with their spot at Sonic Boom was finally starting to get them widely recognized out here in Western Canada.
The owner of the bar was only going to open the doors at 8pm, and keep the doors open until the venue reached capacity (which isn't hard for such a place). While we came far too early (I arrived at 6, and until about 7:30 there wasn't much more than a handful of people waiting), this gave us the chance to see the band pull up in their over-graffitied, full of character van, and unload their equipment. Once it was closer to doors-open the band even came around to the line up and talked to the crowd for a while. They even brought along a friends pair of corgi dogs. This brings about another reason, besides talent and stage presence, of why I count this band as one of my favourites: their down-to-eath personalities. Even though they are starting to get more and more fans, they're still as humble as ever, and are willing to have a chat with you instead of sitting alone in the venue drinking and keeping to themselves. All 4 members were helping to sell merch, as well as signing any t-shirts, CDs or vinyls that fans were interested in.
I was pretty nervous and thought that there would be a massive line for a band that's been creating a following during the past year. Lots of radio play for their songs "Americanarama", and "Juliette" along with their spot at Sonic Boom was finally starting to get them widely recognized out here in Western Canada.
The owner of the bar was only going to open the doors at 8pm, and keep the doors open until the venue reached capacity (which isn't hard for such a place). While we came far too early (I arrived at 6, and until about 7:30 there wasn't much more than a handful of people waiting), this gave us the chance to see the band pull up in their over-graffitied, full of character van, and unload their equipment. Once it was closer to doors-open the band even came around to the line up and talked to the crowd for a while. They even brought along a friends pair of corgi dogs. This brings about another reason, besides talent and stage presence, of why I count this band as one of my favourites: their down-to-eath personalities. Even though they are starting to get more and more fans, they're still as humble as ever, and are willing to have a chat with you instead of sitting alone in the venue drinking and keeping to themselves. All 4 members were helping to sell merch, as well as signing any t-shirts, CDs or vinyls that fans were interested in.
Wednesday, September 28, 2011
Christian Hansen's Farewell
It's not all that often that original, creative and talented musicians come from hard work and persistance. Nowadays it seems like some of the biggest money makers are formed, and produced by some bigger company. And it's especially tough to find such amazing artists in a city like Edmonton. Not to say that it doesn't happen, just take a look at Christian Hansen and the Autistics. They were one of Sonic's only lasting Bands-of-the-Month, and their rising populartiy is taking them to Toronto. Well, Christian and his wife, Molly Flood, who plays keyboards etc in the group. Two of the bands original members are unfortunately no longer part of the move, and current drummer, Doug Organ, and bassist, Doug Hoyer, will also be staying in Edmonton. Once they're settled they'll be trying to immediately find a new drummer and bassist to round out their quartet, as well as releasing sophmore album "Dance Floor Deathcore", and two new music videos (one of which yours truly is in!).
If you'd like to read a bit more about the band's move, and an interview with Christian Hansen, click here.
It's tough to see a group like Christian Hansen & the Autistics leave Edmonton, but hope for them creating bigger and better things in Eastern Canada is the only thing pulling me through.
If you'd like to read a bit more about the band's move, and an interview with Christian Hansen, click here.
It's tough to see a group like Christian Hansen & the Autistics leave Edmonton, but hope for them creating bigger and better things in Eastern Canada is the only thing pulling me through.
Sunday, September 25, 2011
Photo changes
For all those Through Music... loyalists out there (let me delude myself for a minute), you might notice a minor change when it comes to the pictures I post. I used to have a few recent show pics up, towards the bottom of the homepage. I've realized this is too difficult to keep up to date, and since I already upload the entire show-of-the-time's pictures on my Picasa album...it's just more work!
So, now instead of feeling constantly guilty for not updating those few pictures, I've just decided to do away with that section altogether. Now you can spend your nights and days looking at the pictures on the Picasa link, on the right hand of the screen! Happy viewing!
So, now instead of feeling constantly guilty for not updating those few pictures, I've just decided to do away with that section altogether. Now you can spend your nights and days looking at the pictures on the Picasa link, on the right hand of the screen! Happy viewing!
Featuring: Said the Whale, Pearl Jam, and the Wet Secrets
First and foremost, I just want you to know that the title of this post is NOT one show (but wouldn't that have been cool...and yet...the strangest thing ever?).
Wednesday night was supposed to be my only concert this week, part of the trying-to-cut-back plan. You'll find out in a minute how that plan went spiraling out of control over the following few days.
Anyway, Wednesday night came, and with it the early show featuring Said the Whale and guests, Sarah Lowe and Rah Rah. Unfortunately I didn't get the chance to see Sarah Lowe at all, but was able to catch the last few Rah Rah songs. This band out of Regina (seems like a great surge of talent coming out of this Saskatchewan city lately) were great, considering I had no idea what I should have been expected. They were more danceable than StW, and came with their own inflatable silver balloons that circulated throughout the outstretched hands of the crowd. There were quite a few of them on stage, and hopefully they'll one day make their way back through the city, so I have a proper chance to see their full set.
Wednesday night was supposed to be my only concert this week, part of the trying-to-cut-back plan. You'll find out in a minute how that plan went spiraling out of control over the following few days.
Anyway, Wednesday night came, and with it the early show featuring Said the Whale and guests, Sarah Lowe and Rah Rah. Unfortunately I didn't get the chance to see Sarah Lowe at all, but was able to catch the last few Rah Rah songs. This band out of Regina (seems like a great surge of talent coming out of this Saskatchewan city lately) were great, considering I had no idea what I should have been expected. They were more danceable than StW, and came with their own inflatable silver balloons that circulated throughout the outstretched hands of the crowd. There were quite a few of them on stage, and hopefully they'll one day make their way back through the city, so I have a proper chance to see their full set.
Wednesday, September 21, 2011
Nevermind 20 years.
Where would our music world be if Nirvana, the iconic album "Nevermind", their plaid-button ups, ripped jeans, and long hair were never unleashed upon the world? Good thing we don't have to think about that, since 20 years ago this Saturday, Kurt Cobain, Krist Novoselic, and Dave Grohl contributed to the world of rock music an entire new genre: grunge.
Grunge was just starting to become popular in the smaller clubs and bars across North America, and started to gain popularity with the general public once albums like "Nevermind", "Badmotorfinger" by Soundgarden, and "Ten" by Pearl Jam were released and started to get radio play in the early 90's. Seattle, WA, where those two bands are from is often called the birthplace of the grunge movement, fueling a huge grunge scene in the area. The funny thing about grunge is that as popular as the genre got the members who played in these rising bands were usually not comfortable with the popularity. They liked remaining unknown and underground, which might be why many bands ended up fading away.
Nirvana, Pearl Jam, Soundgarden and few others actually had staying power. So celebrate by getting some sweaty hair in your eyes, wearing your most well-loved grandpa-sweater and playing your favourite fuzzy, distorted, socio-political song!!
PS. Sorry, I know those last two exclamation marks don't go with the grunge theme about not giving a &*$%
Grunge was just starting to become popular in the smaller clubs and bars across North America, and started to gain popularity with the general public once albums like "Nevermind", "Badmotorfinger" by Soundgarden, and "Ten" by Pearl Jam were released and started to get radio play in the early 90's. Seattle, WA, where those two bands are from is often called the birthplace of the grunge movement, fueling a huge grunge scene in the area. The funny thing about grunge is that as popular as the genre got the members who played in these rising bands were usually not comfortable with the popularity. They liked remaining unknown and underground, which might be why many bands ended up fading away.
Nirvana, Pearl Jam, Soundgarden and few others actually had staying power. So celebrate by getting some sweaty hair in your eyes, wearing your most well-loved grandpa-sweater and playing your favourite fuzzy, distorted, socio-political song!!
PS. Sorry, I know those last two exclamation marks don't go with the grunge theme about not giving a &*$%
Use your Library Voices
The weekend was well...eventful to say the least. Friday night kicked it off with an amazing 18+ show with Christian Hansen and the Autistics. So good they almost blew the windows off the Dinwoodie Lounge at the U of A. This being one of their last shows in Edmonton before they make the trek to move to Toronto, I just had to go. I won't say much since I talk about them constantly, but I should mention that if you didn't catch them on Friday, you still have a last chance at happiness THIS Friday, Sept 23, when they play an all ages show at Avenue Theatre w/ Doug Hoyer.
And thanks to Rebecca Black we all know that after Friday comes Saturday, and this weekend that meant The Provincial Archive, and Library Voices at the Pawnshop. I had been able to see P.A earlier this year and was immediately blown away by their unique mix of slight electronic-rock (using a talk box and what seemed like a synth), and folk (it makes me smile when they bring their banjo and upright bass to the stage).
And thanks to Rebecca Black we all know that after Friday comes Saturday, and this weekend that meant The Provincial Archive, and Library Voices at the Pawnshop. I had been able to see P.A earlier this year and was immediately blown away by their unique mix of slight electronic-rock (using a talk box and what seemed like a synth), and folk (it makes me smile when they bring their banjo and upright bass to the stage).
Saturday, September 17, 2011
Young the Giant - My Body Remix(s)
Check out these two remixes of the song My Body by Young the Giant. The band came out with remix EP in the summer. Two versions of the song, by Tokyo Police Club, and Two Door Cinema Club are streaming here!
Monday, September 12, 2011
Venue Rules
Thursday, September 8, 2011
Sonic Boom or Bust?
I've needed a bit of time to cool down, but now I hope you're ready for my post about last Sunday's Sonic Boom round III. It's one of Edmonton's up and coming music festivals and in this case 3rd time was most definitely not the charm. The "festival" is a full day (usually 11am-11pm) of modern and alternative rock, and tends to include a good mix of local Canadian music along with big headlining names to round out the night. This year wasn't all too different when it comes to line-up with names like Hollerado, Cee-Lo Green, The Joy Formidable, Cake, Metric and the final act of the night Jane's Addiction. There is quite a bit written below, so if you need to take it in two doses I wouldn't blame you.
To be honest I agree with a lot of Sonic listeners out there that say to be a headliner for a festival like this you should be able to sell-out an entire statdium. Don't get me wrong, Jane's Addiction is a legenary band, who's lead singer, Perry Farrell, is responsible for one of North America's biggest music festivals, Lollapalooza. However, I am also 99% sure that they would never be able to fill a venue like the Shaw Conferance Centre (let alone Rexall Place). There just isn't the same audience for them that previous headliners like Rise Against/Weezer or Franz Ferdinand. "Loyal" Sonic listeners had been causing a fuss on social media websites all summer about the less-than-stellar line up, and many were talking about boycotting the fest to try to teach the radio station a lesson about booking bands. But really I wasn't all to worried about the line-up, I was still more than willing to pay the $90 for General Admission ticket (or the $145 that I ended up paying for VIP tickets, that came with a few "extra perks"); there were still amazing artists and a full day of outdoor fun to look forward to.
To be honest I agree with a lot of Sonic listeners out there that say to be a headliner for a festival like this you should be able to sell-out an entire statdium. Don't get me wrong, Jane's Addiction is a legenary band, who's lead singer, Perry Farrell, is responsible for one of North America's biggest music festivals, Lollapalooza. However, I am also 99% sure that they would never be able to fill a venue like the Shaw Conferance Centre (let alone Rexall Place). There just isn't the same audience for them that previous headliners like Rise Against/Weezer or Franz Ferdinand. "Loyal" Sonic listeners had been causing a fuss on social media websites all summer about the less-than-stellar line up, and many were talking about boycotting the fest to try to teach the radio station a lesson about booking bands. But really I wasn't all to worried about the line-up, I was still more than willing to pay the $90 for General Admission ticket (or the $145 that I ended up paying for VIP tickets, that came with a few "extra perks"); there were still amazing artists and a full day of outdoor fun to look forward to.
Friday, September 2, 2011
I've been gone for a long time
It's been a little over a month (yes..I know all of August...) that there have been no posts. I had to leave you postless and starving while I was gone out of the country on a month long trip. But I'm back now and missed you just as much as I hope you missed me.
No concerts yet, but one thing that I did get the chance to see on August 30th was the Red Hot Chili Peppers Movie: "I'm with you": Live. Now don't get me wrong, it was amazing to see the band, after so many years, playing their entire new album (also titled "I'm with you", released on Aug 30th as well)....but (and you knew there was a but), the "film" just wasn't what I had been expecting. I thought it would resemble the Foo Fighters movie that came out just before summer "Back and Forth", which followed the bands history from birth to present. The RHCP film was not like a documentary however, it was literally just a live concert brought to theatres worldwide by satellite. It was of course much less expensive, much better sound quality with better views than I would ever get at Rexall Place, but I just wish that they had copied the Foo Fighters...just a little at least. The band has such an amazing and varied history that I'm sure fans would love to know about, but alas unless you read Anthony Kiedis' book "Scar Tissue", you'll forever be left with a mystery. (I think the book is likely why they didn't do the film as a biography...since the book does go into a lot. But mostly sticks to Kiedis' life only).
No concerts yet, but one thing that I did get the chance to see on August 30th was the Red Hot Chili Peppers Movie: "I'm with you": Live. Now don't get me wrong, it was amazing to see the band, after so many years, playing their entire new album (also titled "I'm with you", released on Aug 30th as well)....but (and you knew there was a but), the "film" just wasn't what I had been expecting. I thought it would resemble the Foo Fighters movie that came out just before summer "Back and Forth", which followed the bands history from birth to present. The RHCP film was not like a documentary however, it was literally just a live concert brought to theatres worldwide by satellite. It was of course much less expensive, much better sound quality with better views than I would ever get at Rexall Place, but I just wish that they had copied the Foo Fighters...just a little at least. The band has such an amazing and varied history that I'm sure fans would love to know about, but alas unless you read Anthony Kiedis' book "Scar Tissue", you'll forever be left with a mystery. (I think the book is likely why they didn't do the film as a biography...since the book does go into a lot. But mostly sticks to Kiedis' life only).
Thursday, July 21, 2011
Hurricanes happen in Florida, The Burning Hell happens in Edmonton
Edmonton's been steadily enduring the rain and humidity for the past few weeks but last night we were fortunate enough to enjoy some Burning Hell. The Burning Hell stopped by the Haven Social Club with Wax Mannequin and guest Manraygun for a late show (doors opening at 9.30pm).
Just before the show I had heard that Manraygun was a mix between the Clash and Bruce Springsteen. Hm. Really? Is that possible without just recreating classic sounds? Well I wasn't blown away but definitely knew where the comparison was coming from after hearing a few songs from the 5 piece band. Three out of the five members take turns singing different songs (all three also play guitar). One of the members definitely has the slightly gravel-ey pitch that makes you think
Just before the show I had heard that Manraygun was a mix between the Clash and Bruce Springsteen. Hm. Really? Is that possible without just recreating classic sounds? Well I wasn't blown away but definitely knew where the comparison was coming from after hearing a few songs from the 5 piece band. Three out of the five members take turns singing different songs (all three also play guitar). One of the members definitely has the slightly gravel-ey pitch that makes you think
Sunday, July 17, 2011
The Hip: Quintessentially Canadian
As the name so subtlely suggests I was lucky enough to see the Tragically Hip perform on Thursday.
But not only was it the Hip that I was lucky enough to see, but they brought along with them Hey Rosetta! and Broken Social Scene, two extra amazing Canadian talents.
Hey Rosetta took to the stage pretty early for a weekday evening at 5.40pm, so unfortuantely there weren't very many there to see how great their east-coast folk-rock is, espcailly live. The band is nominated for the Polaris Music Prize (for the 2nd time) this year, as I mentioned in a previous post, and when the 6-piece took to the stage it was clear to say why. They put their whole hearts into the performance, despite the slowly increasing audience that was there. Including a violinist and cellist to their talented band, the band brings something unique to a sound that's been recreated many times. They've changed their
But not only was it the Hip that I was lucky enough to see, but they brought along with them Hey Rosetta! and Broken Social Scene, two extra amazing Canadian talents.
Hey Rosetta took to the stage pretty early for a weekday evening at 5.40pm, so unfortuantely there weren't very many there to see how great their east-coast folk-rock is, espcailly live. The band is nominated for the Polaris Music Prize (for the 2nd time) this year, as I mentioned in a previous post, and when the 6-piece took to the stage it was clear to say why. They put their whole hearts into the performance, despite the slowly increasing audience that was there. Including a violinist and cellist to their talented band, the band brings something unique to a sound that's been recreated many times. They've changed their
Reliving the 90's
As the post title suggests...The only thing that can remind you more of the late 80's-early 90's than New Kids on the Block/Backstreet Boys (unless you're counting fluorescent colours, mom-jeans, and shoulder pads. Then that's just cheating)
But with such legendary groups comes the hard to describe qualities of each without having actually been there.
NKOTBSB as they boy-band supergroup is now and temporarily (?) known as, really did bring out the tween girl in everyone there that night. Ok, maybe not the boyfriends that were dragged along, but all the way from actual tweens to 40+ moms, friends, and choreographed-dance enthusiasts the crowd was going crazy for these 80's and 90's throwback fellas. Not only was the singing and dancing just want I imagined it to be (I never actually got to see BSB during the height of their fame), but the boys ...men... actually had personalities too! There was fireworks, there was screaming and yes you better believe there was Donnie Wahlberg tearing off his tank top and throwing it to some giddy female. Oh, and not to mention the crotch-grabbing and/or thrusting. But that was part of the fun; these guys may have been entertaining us for 25 years (New Kids), and 18 years (BSB), but damn, they still knew how to have an audience eating out of the of their washboard abs. They were in shape, in tune and on fire (not literally; no the fireworks didn't catch anyone's pants). Some more highlights were the typical girl-brought-on-stage to serenade to for each of the Backstreet Boys, the band coming into the first level of the crowd (both bands at seperate times), and just before the encore (BSB: Everybody; NKOTB: Hangin' Tough) both groups took the time to say something to introduce each other one at a time! Some were pretty damn funny. I won't say more lest I start relieving it and get giddy as well. (One tidbit, I screamed like I was 12. It'd be impossible not to). I hope either of the bands comes back around, they each had so many great songs it was impossible to hear them all. Ok. I'm done gushing.
But with such legendary groups comes the hard to describe qualities of each without having actually been there.
NKOTBSB as they boy-band supergroup is now and temporarily (?) known as, really did bring out the tween girl in everyone there that night. Ok, maybe not the boyfriends that were dragged along, but all the way from actual tweens to 40+ moms, friends, and choreographed-dance enthusiasts the crowd was going crazy for these 80's and 90's throwback fellas. Not only was the singing and dancing just want I imagined it to be (I never actually got to see BSB during the height of their fame), but the boys ...men... actually had personalities too! There was fireworks, there was screaming and yes you better believe there was Donnie Wahlberg tearing off his tank top and throwing it to some giddy female. Oh, and not to mention the crotch-grabbing and/or thrusting. But that was part of the fun; these guys may have been entertaining us for 25 years (New Kids), and 18 years (BSB), but damn, they still knew how to have an audience eating out of the of their washboard abs. They were in shape, in tune and on fire (not literally; no the fireworks didn't catch anyone's pants). Some more highlights were the typical girl-brought-on-stage to serenade to for each of the Backstreet Boys, the band coming into the first level of the crowd (both bands at seperate times), and just before the encore (BSB: Everybody; NKOTB: Hangin' Tough) both groups took the time to say something to introduce each other one at a time! Some were pretty damn funny. I won't say more lest I start relieving it and get giddy as well. (One tidbit, I screamed like I was 12. It'd be impossible not to). I hope either of the bands comes back around, they each had so many great songs it was impossible to hear them all. Ok. I'm done gushing.
Monday, July 11, 2011
Yeehaw
So you're browsing the interweb, thinking of taking in three stellar Canadian acts in one weekend. Don't think. Do.
That was my reasoning when I heard that Mother Mother, Hollerado and Tokyo Police Club would be performing at this year's, world famous, Calgary Stampede grounds. Sure it's a three hour drive, and I've seen the acts before. But for only $15 per day, and the chance to see 3 of my top favourite bands, it wasn't something I was willing to just let pass.
The Stampede, for those of you who aren't sure what I'm talking about, is a 10 day festival that includes fair grounds + rides, a rodeo, huge concerts (off-grounds) including Katy Perry, NKOTBSB, and Kenny Chesney, and on-grounds shows such as the ones I went to. The Stampede is a huge festival in Calgary, and I've heard one of the largest in North America. Surprising that even though we live so close I'd never been before, but it was definitely worth the trip.
About the musical side of the weekend:
-My jaw very literally dropped when I saw the size of the "Coca-Cola Stage" where the bands would be performing. It wasn't that much bigger than a bar stage, such as The Starlite Room that they have here in Edmonton. The "floor" was incredibly small too. I started to think, maybe there wouldn't be so many people (and was soon proven wrong). If they want to continue hosting local acts, with large followings, such as the ones they had this year, they NEED to increase their venue size. Not only to get a larger audience but...
-I was crushed. Not because I didn't get up close and personal with Dave Monks of TPC (which of course was still a blow), but literally, the moshing that went on was worse or comparable to some of the biggest shows I've attended. This is through no fault of the venue (except for the small size, but I'm sure the crowd would've done the same just on a larger scale). Saturday night, when The Dudes/Mother Mother performed was the much worse night out of the two. There were lots of times during the sets that the bands had to ask the audience to calm down and "take care of each other out there". Microphones were even cut during the Dudes set to instill some crowd control. It didn't help. There were 3 times during the night when 5 police officers had to wade through the crowd to drag out some select individuals... The venue handled the crowd well, but could've handled it so much better. I think the majority was due to the fact that it was a Saturday night and the drinks were plenty to be had. (Sidenote: Bag check was set up outside the gates but I never got searched either day...There's an endless list of drugs/alcohol I could've brought in). Interested in a laugh? I temporarily lost my shoe due to the moshing. Don't panic though, after a few minutes of barefooting it balance was resorted to the world.
- I won't say much about the bands except that they all KILLED IT. I hold back from using the term, but there's no other way to describe it. Mother Mother played their set as flawlessly as they did when they played the EEC. Hollerado had their patented hot sauce in stock, and even gave a free PSA about the dangers of syphilis (good music and a good message for teens...what more could you want in a beer-swilling, drum-kit jumping bunch of role models. Seriously these guys are hilarious, their live show is worth it just to see them banter with each other and the audience.) TPC started their set during the pouring rain. It really soaked every bone in your body, but besides finding it hard to see through the rain, I forgot it was even there. As energetic and fluid as they've ever been. Again the only downside to the Mother Mother and TPC sets were the crowd. There were tons of crowd surfers during TPC and it was tough for the security to even keep up, especially when the heavens have decided to make the area into a waterfall; it definitely distracted from the music, for me, and I'm sure worse for others.
- All bands were at the merch booth after each of their sets for autographs. But since I had to get back to ye olde office early I couldn't wait in line.
- If you were on the grounds this weekend you might have seen some of the band! Hollerado drummer, Jake Boyd was temporarily missing just minutes before their set, and the entirety of TPC roamed the grounds in between soundcheck and their set.
All in all, it was a great weekend full of good times. And now for the inevitable sports analogy that I've avoided during all these posts...Calgary, you've defs stepped up to the plate when it comes to booking great acts, but you've got to improve on your stage if you want to improve your game!
That was my reasoning when I heard that Mother Mother, Hollerado and Tokyo Police Club would be performing at this year's, world famous, Calgary Stampede grounds. Sure it's a three hour drive, and I've seen the acts before. But for only $15 per day, and the chance to see 3 of my top favourite bands, it wasn't something I was willing to just let pass.
The Stampede, for those of you who aren't sure what I'm talking about, is a 10 day festival that includes fair grounds + rides, a rodeo, huge concerts (off-grounds) including Katy Perry, NKOTBSB, and Kenny Chesney, and on-grounds shows such as the ones I went to. The Stampede is a huge festival in Calgary, and I've heard one of the largest in North America. Surprising that even though we live so close I'd never been before, but it was definitely worth the trip.
About the musical side of the weekend:
-My jaw very literally dropped when I saw the size of the "Coca-Cola Stage" where the bands would be performing. It wasn't that much bigger than a bar stage, such as The Starlite Room that they have here in Edmonton. The "floor" was incredibly small too. I started to think, maybe there wouldn't be so many people (and was soon proven wrong). If they want to continue hosting local acts, with large followings, such as the ones they had this year, they NEED to increase their venue size. Not only to get a larger audience but...
-I was crushed. Not because I didn't get up close and personal with Dave Monks of TPC (which of course was still a blow), but literally, the moshing that went on was worse or comparable to some of the biggest shows I've attended. This is through no fault of the venue (except for the small size, but I'm sure the crowd would've done the same just on a larger scale). Saturday night, when The Dudes/Mother Mother performed was the much worse night out of the two. There were lots of times during the sets that the bands had to ask the audience to calm down and "take care of each other out there". Microphones were even cut during the Dudes set to instill some crowd control. It didn't help. There were 3 times during the night when 5 police officers had to wade through the crowd to drag out some select individuals... The venue handled the crowd well, but could've handled it so much better. I think the majority was due to the fact that it was a Saturday night and the drinks were plenty to be had. (Sidenote: Bag check was set up outside the gates but I never got searched either day...There's an endless list of drugs/alcohol I could've brought in). Interested in a laugh? I temporarily lost my shoe due to the moshing. Don't panic though, after a few minutes of barefooting it balance was resorted to the world.
- I won't say much about the bands except that they all KILLED IT. I hold back from using the term, but there's no other way to describe it. Mother Mother played their set as flawlessly as they did when they played the EEC. Hollerado had their patented hot sauce in stock, and even gave a free PSA about the dangers of syphilis (good music and a good message for teens...what more could you want in a beer-swilling, drum-kit jumping bunch of role models. Seriously these guys are hilarious, their live show is worth it just to see them banter with each other and the audience.) TPC started their set during the pouring rain. It really soaked every bone in your body, but besides finding it hard to see through the rain, I forgot it was even there. As energetic and fluid as they've ever been. Again the only downside to the Mother Mother and TPC sets were the crowd. There were tons of crowd surfers during TPC and it was tough for the security to even keep up, especially when the heavens have decided to make the area into a waterfall; it definitely distracted from the music, for me, and I'm sure worse for others.
- All bands were at the merch booth after each of their sets for autographs. But since I had to get back to ye olde office early I couldn't wait in line.
- If you were on the grounds this weekend you might have seen some of the band! Hollerado drummer, Jake Boyd was temporarily missing just minutes before their set, and the entirety of TPC roamed the grounds in between soundcheck and their set.
All in all, it was a great weekend full of good times. And now for the inevitable sports analogy that I've avoided during all these posts...Calgary, you've defs stepped up to the plate when it comes to booking great acts, but you've got to improve on your stage if you want to improve your game!
I'm With You
After the months of back-and-forth decisions it's official: Red Hot Chili Peppers will be releasing their new album at the end of Summer. The new album called, "I'm With You", will hit the shelves (and fly off hopefully just as quickly) August 20, 2011.
There was lots of talk of it being released spring 2011...which...obviously didn't end up happening. Then it was rumoured that the album wouldn't be out until early/spring 2012. HOW LONG? But I guess...not that long. I think I can wait a month and a half. I guess...
Best part about a new album? Tour dates soon to come. Assuming is always the best policy...right? Let's just call it wishful thinking.
There was lots of talk of it being released spring 2011...which...obviously didn't end up happening. Then it was rumoured that the album wouldn't be out until early/spring 2012. HOW LONG? But I guess...not that long. I think I can wait a month and a half. I guess...
Best part about a new album? Tour dates soon to come. Assuming is always the best policy...right? Let's just call it wishful thinking.
Friday, July 8, 2011
Concerts and Shows on the Horizon
This post is going to heighten the view you already have of me as a concert fiend, but I just think all you gents and ladies should be aware of the great summer ahead. Instead of rambling I'll just list off the next few months worth of exciting shows:
- Tuesday July 12 - NKOTBSB: You know what this is. New Kids on the Block + Backstreet Boys. Yes I'm going. Yes it's nostalgic and a 90's throwback. And yes, I may just swoon when I see Nick, Brian, Howie and A.J sync their dance moves.
- Wednesday July 13 - Scenic Route to Alaska: Not a surprise that these fellas are playing another local show, but a definite happy surprise that they posted this new show. It's at
- Tuesday July 12 - NKOTBSB: You know what this is. New Kids on the Block + Backstreet Boys. Yes I'm going. Yes it's nostalgic and a 90's throwback. And yes, I may just swoon when I see Nick, Brian, Howie and A.J sync their dance moves.
- Wednesday July 13 - Scenic Route to Alaska: Not a surprise that these fellas are playing another local show, but a definite happy surprise that they posted this new show. It's at
Stampedin' the Weekend Away
As much as I love Edmonton and would never dream about cheating on the fair and proud city...I happen to be following through with a certain indiscretion this weekend. I'll be heading down to Calgary during the first weekend of the world famous Calgary Stampede. If you're from Alberta, or many parts of Canada...you'll be aware of the beginning-of-time rivalry between the two cities. But I've decided to put my differences aside for the next two days for the sake of great music. Isn't that always the case? And even if you are currently red in the face, ready to tear me a new (insert inapproprite word here), hear me out: Hollerado, Tokyo Police Club, Mother Mother. All in one weekend. All performing at the Stampede grounds. All for the ridiculously low price of
Thursday, July 7, 2011
The soulful Sounds of Old Strathcona
SOS Street Festival takes place this Sunday from 12-7pm on Whyte Ave between 103-105th street! Head out for some amazing local music, and vendors! Whyte will be closed for traffic, and it's a sweet time for the family :)
If you've been keeping up with posts you'll know that last year at the first ever SOS fest there was a less than stellar turn out for the amount of work that was put into the then-3-day festival. This year they've cut it down due to lack of turnout and lack of funding. Please, please go out and enjoy the festival while we still have it! (And so that we can get it back into 3 days, and be proud of our local musicians and artists!)
Oh and of course, there's no time like summer to enjoy Edmonton's beautiful weather. Literally. There's no other time.
If you've been keeping up with posts you'll know that last year at the first ever SOS fest there was a less than stellar turn out for the amount of work that was put into the then-3-day festival. This year they've cut it down due to lack of turnout and lack of funding. Please, please go out and enjoy the festival while we still have it! (And so that we can get it back into 3 days, and be proud of our local musicians and artists!)
Oh and of course, there's no time like summer to enjoy Edmonton's beautiful weather. Literally. There's no other time.
Polaris Short List
1. Arcade Fire - The Suburbs
2. Austra - Feel it Break
3. Braids - Native Speaker
4. Destroyer - Kaputt
5. Galaxie - Tigre et diesel
6. Hey Rosetta! - Seeds
7. Ron Sexsmith - Long Player Late Bloomer
2. Austra - Feel it Break
3. Braids - Native Speaker
4. Destroyer - Kaputt
5. Galaxie - Tigre et diesel
6. Hey Rosetta! - Seeds
7. Ron Sexsmith - Long Player Late Bloomer
Wednesday, July 6, 2011
Polaris
The Polaris Music Prize Short list is unveiled today! If you're not sure what that is, stay tuned for more background info later on today. If you know without a doubt what that is....stay tuned to hear the list!
Sunday, July 3, 2011
Happy Canada Day!
There's always time for a little Scenic Route to Alaska. I've been on about this band for the past two weeks and for good reason, as everyone should know (or will know!). They're hardworking fellas and played three shows on Canada Day. Including one I was able to attend. I talked a lot about them during my last post, so I won't go on and on. This time they played on the legislature grounds to a field of people. The crowd wasn't packed unfortunately, but again they played a great sounding set. I did miss a good 15 minutes of their lovely music because I couldn't find the stage! It was kinda silly not to
Jam packed.
Since Thursday my musical needs have been overflowing, which is not something that gets to happen often in this city.
Starting off on Thursday I "FINALLY" got to see Scenic Route to Alaska. You're probably thinking..."Gurl. You crazy, you saw them last week at Wunderbar!" How right you kinds folks are for remembering! But since these three fellas are so hardworking (yet their 3-track EP isn't enough to satisfy my yearning...) I was able to see them playing at The Works Art Festival in Churchill Square (for free, no less!)(Get it?...No...less...?). It was a great set for the band, that lasted about 45 minutes; they played their EP songs first and continued one with some "fan favourites" such as Homestretch. Homestretch is a great grab-your-significant-other-for-a-slow-dance song. Lead vocalist Trevor Mann uses
Starting off on Thursday I "FINALLY" got to see Scenic Route to Alaska. You're probably thinking..."Gurl. You crazy, you saw them last week at Wunderbar!" How right you kinds folks are for remembering! But since these three fellas are so hardworking (yet their 3-track EP isn't enough to satisfy my yearning...) I was able to see them playing at The Works Art Festival in Churchill Square (for free, no less!)(Get it?...No...less...?). It was a great set for the band, that lasted about 45 minutes; they played their EP songs first and continued one with some "fan favourites" such as Homestretch. Homestretch is a great grab-your-significant-other-for-a-slow-dance song. Lead vocalist Trevor Mann uses
Sunday, June 26, 2011
Scenic Route to Alaska, Souvs, Rococode. First time for everything.
I thought I heard you complaining, aching, whining, and generally going on and on about wanting a double dose of great local music. Or maybe that was just me. Either way, you're in for the time of your life for the next 10 minutes.
First up, Scenic Route to Alaska! This is a three-man band all the way from...Edmonton! What better place could there be, really. This band had previously opened for a show, with the Collective West, that I missed about two months ago. I felt that the CW would have a great taste in music themselves, so I've been eagerly waiting to see SRtA, and finally on Thursday night at Wunderbar my dream came to fruition.
The band sounds a bit like Born Ruffians, a bit like and a whole lot like themselves. I don't know much about the band, but it's pretty great to see them already having found a sound that works for them. Very many a band comes and goes, not knowing in which direction they want to go in, and constantly struggling to find a niche and an audience. While the audience is still forming and the fan base ever growing, SRtA is already making music to my ears (literally), before their full album is even released. As of now they only have a 3-track EP out. It breaks my heart to come to the third song, only because I know that it's the end of the CD.
Lead vocalist Trevor Mann sure knows how to belt out some great songs without sounding like he's straining to make his voice heard and without making it sound like he's screaming at the crowd. The only thing that I could find even BETTER on the EP than during the live show, would be that it's nice to clearly hear how they layer the drums and vocals together (especially on the 2nd track of the EP, August Already).
During the set they played about 8 songs, and they seem to be chatting about recording some more. A girl can only hope right?
There were two other opening acts before SRtA, including The Nicest Guys In the World out of Halifax who were good, not only for an opening act. One other opener, not sure of her name, was...so-so. She could sing and play her guitar well, but was nothing special, and once during the show even asked the audience to quiet down...To me having an audience be quite, and enthralled with your music is a privilege that you earn, not a right that you're entitled to.
Now for the scathing review of Wunderbar. There isn't one. Sorro. However I do have a glowing recommendation about where to try to catch a great local show, or even just hang out with a few friends and grab some awkwardly-great named beers. Wunderbar isn't big, so don't go looking for massive doors, with a large glowing, neon sign. It's a quaint, cute, relaxed bar just on the East side of Gateway Boulevard and the South side of the street of Whyte Ave. The bar has a few picnic tables outside, where the music is still hear loud and clear. Inside there's quite a few tables, a three person maximum stage, and a back room with tables, a couch and get this, a nintendo game system. Yeah. Get your live music, great music, interesting people watching and retro gaming on, at a BUY ONE GET ALL price!
And now I'd want to say onto an even more important show, except that I can't. I can definitely say it was just as great though! This time it was a rainy Saturday afternoon, made so much better by the collective stylings of Souvs and Rococode. Souvs are also a straight from the mean streets of Edmonton. The band is a four-piece number including two lead vocalists, Derek Ewanowich & Sarah Martens who know how to do their thang. Their vocals completely complement each other, yet the only thing that soured the combination was that it seemed like Martens mic was turned up too high during the first few songs...a problem quickly and easily fixed to make the rest of the set sound great. Not only are these guys and gal talented musicians, but they also know how to please a crowd of music-hungry fiends. They played a free show at the Electric Sloth music festival on Friday night, followed by this free show Saturday at Filthy McNasty's. One of my favourites from the set was a full-on drum-intense song. But not the typical beating/drum solo-esque thign you would expect. The high-hat and what I'm pretty sure was the snare (? I really need to brush up on my drum kit lingo), were brought front and centre and were in every way taken advantage of by drummer Josh Brown and Sarah Martens. And above and beyond that, you don't even have to leave your humble abode and your soft-as-kitten sweatpants to enjoy their sweet, sweet keys, cymbals and plucky guitar riffs; you can download a FREE (FREE, FREE) copy of their EP from souvs.bandcamp.com. (Or you could...nay... SHOULD, do the right thing and donate what you think is fair for 6-tracks. That way they can be on their way to recording an album! And really, what are you gonna do with all that change sitting on your dresser or your jeans anyway.) I feel like I tend to gush to the point of annoyance with bands that I take a liking to, but really this one impressed me for such a young band. Their lyrics were strong, their vocals were powerful yet catchy and had a where-have-I-heard-that-before! quality, and most importantly their instruments were tuned. Dare I say, they're so good, they should start charging for their shows too...?
Check out this interview on VOIDTV to fall in like with them more.
Oh and as for the venue that is Filthy's on Whyte? It was better than I thought it would be, for sure. I've only been there during the nights (or wee hours of the morning). But for shows it seems like they pack away the bar tables and booths as best they can and have quite a decent sized stage; it's raised about two feet for maximum views. Lots of bars along the Avenue have live music, but tend not to have the proper stage to accommodate the band, where Filthys is just the opposite, not enough live shows but a great stage and set of of seats (and one that serves actual FOOD! Get the wings in every flavour of the best tasting rainbow).
Just after Souvs were finished their alluring (is that the right word? Seductive? Charming? Just trying to say they hooked me and/or drew me in...yet it all sounds like they invited me over for a night of wine and debauchery...), out came Rococode. As they say they're "an unfamiliar band made up of familiar faces", including Shaun Huberts and Johnny Andrews (both of whom had made up a part of the Tegan & Sara backing band), along with Laura Smith and Andrew Braun on vocals. Smith's vocals are high-toned and delicate, while Braun's are loud, but well toned to hear above the instruments. There were times when the guitar and drums seemed to overpower what their vocals had to offer, but all in all they played a great set. I'm not sure if they would be a band I'd go to see on their own or buy their album, but they would be great to see at a folk/indie-rock festival. The stage was a tight squeeze for the full five members of the band that were performing...and awkward moments were brought on between the band as well as band-audience when the two singers tried to make playful banter that came out sounding brutal and insulting towards each other. It's never cool when bands don't even seem like they like each other...doesn't make me want to like them very much either! However their music was still great to see and I'm sure will be great to hear once they put out some tunes. For now you can check out their Myspace: http://www.myspace.com/rococode
First up, Scenic Route to Alaska! This is a three-man band all the way from...Edmonton! What better place could there be, really. This band had previously opened for a show, with the Collective West, that I missed about two months ago. I felt that the CW would have a great taste in music themselves, so I've been eagerly waiting to see SRtA, and finally on Thursday night at Wunderbar my dream came to fruition.
The band sounds a bit like Born Ruffians, a bit like and a whole lot like themselves. I don't know much about the band, but it's pretty great to see them already having found a sound that works for them. Very many a band comes and goes, not knowing in which direction they want to go in, and constantly struggling to find a niche and an audience. While the audience is still forming and the fan base ever growing, SRtA is already making music to my ears (literally), before their full album is even released. As of now they only have a 3-track EP out. It breaks my heart to come to the third song, only because I know that it's the end of the CD.
Lead vocalist Trevor Mann sure knows how to belt out some great songs without sounding like he's straining to make his voice heard and without making it sound like he's screaming at the crowd. The only thing that I could find even BETTER on the EP than during the live show, would be that it's nice to clearly hear how they layer the drums and vocals together (especially on the 2nd track of the EP, August Already).
During the set they played about 8 songs, and they seem to be chatting about recording some more. A girl can only hope right?
There were two other opening acts before SRtA, including The Nicest Guys In the World out of Halifax who were good, not only for an opening act. One other opener, not sure of her name, was...so-so. She could sing and play her guitar well, but was nothing special, and once during the show even asked the audience to quiet down...To me having an audience be quite, and enthralled with your music is a privilege that you earn, not a right that you're entitled to.
Now for the scathing review of Wunderbar. There isn't one. Sorro. However I do have a glowing recommendation about where to try to catch a great local show, or even just hang out with a few friends and grab some awkwardly-great named beers. Wunderbar isn't big, so don't go looking for massive doors, with a large glowing, neon sign. It's a quaint, cute, relaxed bar just on the East side of Gateway Boulevard and the South side of the street of Whyte Ave. The bar has a few picnic tables outside, where the music is still hear loud and clear. Inside there's quite a few tables, a three person maximum stage, and a back room with tables, a couch and get this, a nintendo game system. Yeah. Get your live music, great music, interesting people watching and retro gaming on, at a BUY ONE GET ALL price!
________________________________
And now I'd want to say onto an even more important show, except that I can't. I can definitely say it was just as great though! This time it was a rainy Saturday afternoon, made so much better by the collective stylings of Souvs and Rococode. Souvs are also a straight from the mean streets of Edmonton. The band is a four-piece number including two lead vocalists, Derek Ewanowich & Sarah Martens who know how to do their thang. Their vocals completely complement each other, yet the only thing that soured the combination was that it seemed like Martens mic was turned up too high during the first few songs...a problem quickly and easily fixed to make the rest of the set sound great. Not only are these guys and gal talented musicians, but they also know how to please a crowd of music-hungry fiends. They played a free show at the Electric Sloth music festival on Friday night, followed by this free show Saturday at Filthy McNasty's. One of my favourites from the set was a full-on drum-intense song. But not the typical beating/drum solo-esque thign you would expect. The high-hat and what I'm pretty sure was the snare (? I really need to brush up on my drum kit lingo), were brought front and centre and were in every way taken advantage of by drummer Josh Brown and Sarah Martens. And above and beyond that, you don't even have to leave your humble abode and your soft-as-kitten sweatpants to enjoy their sweet, sweet keys, cymbals and plucky guitar riffs; you can download a FREE (FREE, FREE) copy of their EP from souvs.bandcamp.com. (Or you could...nay... SHOULD, do the right thing and donate what you think is fair for 6-tracks. That way they can be on their way to recording an album! And really, what are you gonna do with all that change sitting on your dresser or your jeans anyway.) I feel like I tend to gush to the point of annoyance with bands that I take a liking to, but really this one impressed me for such a young band. Their lyrics were strong, their vocals were powerful yet catchy and had a where-have-I-heard-that-before! quality, and most importantly their instruments were tuned. Dare I say, they're so good, they should start charging for their shows too...?
Check out this interview on VOIDTV to fall in like with them more.
Oh and as for the venue that is Filthy's on Whyte? It was better than I thought it would be, for sure. I've only been there during the nights (or wee hours of the morning). But for shows it seems like they pack away the bar tables and booths as best they can and have quite a decent sized stage; it's raised about two feet for maximum views. Lots of bars along the Avenue have live music, but tend not to have the proper stage to accommodate the band, where Filthys is just the opposite, not enough live shows but a great stage and set of of seats (and one that serves actual FOOD! Get the wings in every flavour of the best tasting rainbow).
Just after Souvs were finished their alluring (is that the right word? Seductive? Charming? Just trying to say they hooked me and/or drew me in...yet it all sounds like they invited me over for a night of wine and debauchery...), out came Rococode. As they say they're "an unfamiliar band made up of familiar faces", including Shaun Huberts and Johnny Andrews (both of whom had made up a part of the Tegan & Sara backing band), along with Laura Smith and Andrew Braun on vocals. Smith's vocals are high-toned and delicate, while Braun's are loud, but well toned to hear above the instruments. There were times when the guitar and drums seemed to overpower what their vocals had to offer, but all in all they played a great set. I'm not sure if they would be a band I'd go to see on their own or buy their album, but they would be great to see at a folk/indie-rock festival. The stage was a tight squeeze for the full five members of the band that were performing...and awkward moments were brought on between the band as well as band-audience when the two singers tried to make playful banter that came out sounding brutal and insulting towards each other. It's never cool when bands don't even seem like they like each other...doesn't make me want to like them very much either! However their music was still great to see and I'm sure will be great to hear once they put out some tunes. For now you can check out their Myspace: http://www.myspace.com/rococode
Tuesday, June 21, 2011
So long, Graham Scott
I found out some really sad news today when I got home from work. One of the best DJs I've ever heard passed away on Saturday night. He constantly kept the airwaves and your ears full of music facts and was able to keep me entertain for hours on end. There aren't many times when I'll voluntarily stream the radio from the internet, or stay in the car a little while after the drive has ended just to hear the "end" of what the DJ is saying, but he always kept my attention.
He seemed to live and breathe music, the way that not many nowadays truly do. Even though he worked for a modern-rock music station, he had had a brief stint on a world-music station. Most wouldn't be able to make the transfer, but due to his love of music, no matter the type, he was able to bring his personality to many more. Good thing we got him back on to modern rock though; Saturday and Sunday afternoons might have been very different for me for the last while.
Anyway, I've talked more about him that I thought I would, but it's just come as a shock. He was under 40, and it's unrevealed what happened to him. But I hope that all the peace in the world comes to those who loved him and who he loved. Weekends just won't be the same.
He seemed to live and breathe music, the way that not many nowadays truly do. Even though he worked for a modern-rock music station, he had had a brief stint on a world-music station. Most wouldn't be able to make the transfer, but due to his love of music, no matter the type, he was able to bring his personality to many more. Good thing we got him back on to modern rock though; Saturday and Sunday afternoons might have been very different for me for the last while.
Anyway, I've talked more about him that I thought I would, but it's just come as a shock. He was under 40, and it's unrevealed what happened to him. But I hope that all the peace in the world comes to those who loved him and who he loved. Weekends just won't be the same.
Things We Do
Opened with artist Mat Savard, who reminded me of a one-man Dirty Heads-esque band. One of the things that made me remember him the most was his forward personality and the facial expressions he made while he sang.
Just before the Collective West made their ..."official" appearance (Erin Faught, lead female vocalist, was working the door, stamping away and taking tix, while the rest of the band was hanging around, mingling, and cheering on the opening acts), the band was able to have another good friend of theirs, Jeff Morris, play a set. Collective West has previously opened for the sweet, slow and intelligent singer-songwriter. The folk singer has crafted his songs and voice to what seems like a "T". I really don't like reading about comparisons of artists, since each artist is unique, by leaps and bounds. However, I'm about to shame myself by comparing Morris' songs to the slower songs by Michael Bernard Fitzgerald (who, if you've read previous blogs, you'll know as one of my true loves). It's not really because their voices sound similar, but more so because they're both fellas (obviously) who know how to make hearts swell with emotion*, and no doubt put the effort into each of their verses, choruses and bridges.
*Even though Morris is more of a heart-achey feeling, and MBF is more of a falling-in-love feeling.
And without much wait up came The Collective West. Now you know how I've been talking (and talking, and talking...) about these people for quite. To be honest, I was more worreid about hearing their new album (since this was their debut album release show). I had only ever heard the band on live recordings on Youtube. But, to jump ahead a bit, once I listened to the first song on the album I knew that I'd definitely struck gold in the West. It was really refreshing to hear a band that needed no extras or fillers in their musics or with honing their "sound".
It was a totally different kind of show than I've ever been to before. Really, it felt more like sitting in on a live impromptu band practice. The crowd seemed like they were mostly friends/family of band members, and every one felt completely comfortable, which made the music sound that much sweeter for some reason; it was a very laid back show, with heaps of banter between the audience and band. It's easy to see that the members are all friends behind-the-scenes too. They connect so well with each other DURING songs, and often commicate with eye contact and glances during their set.
To me, one of the best things about the Collective West is that they don't use completely "traditional instruments" i.e one set of drums, one/two electric guitars, or one acoustic and one bass. Erin Faught, female vocalist, switches between an acoustic guitar, and the nicest looking banjo I've ever seen. Lead male vocalist, Alex Klassen (formerly known as Alexander Chemist) plays electric guitar and tends to tape a tambourine to his foot (yeah, you definitely read that right). And according to the bands Facebook page, the remaining (yet I really don't like to use that word since they contribute so so much to the sound of the band) two members play just as hard on their "Bass/Eggshaker/Fisher Price Xylophone...", which is played by mustachioed Alex Charleton, and the "Guitar/Cajón/Glockenspiel/Dulcimer/.../Kazoo/Bells/Vocals..." played by the EXTREMELY talented and fully-demin-outfitted, Dave Sustrik.
The set included most, if not all (I did lose count due to lost-in-awe brain) songs from their new album, "Things We Do". Not only did they play orginals but they also included three great covers: I Want You Back - The Jackson 5, Gold Digga - Kanye West, and Danger Zone - Kenny Loggins. That last one was voted into place on their Facebook page! It was great to see a band who can do a cover, but do it well. Performing a cover is not only about making the original proud, but also bringing something of your own to the music! And brought it, they sure did. Erin Faught's vocals on Gold Digga (during the Jamie Foxx part), was actually one of the best acapella vocals I've ever heard.
To sum up a great musical night, the band in no possible way dissapointed, and somehow even made themselves better with their excellent, intimate live show!
Interested in some extra reading, boys and girls? Look no further than my views on the ARTery. It's located on Jasper Ave, just east of the Shaw Conference Centre. If it's ever your first time going there, please, do yourself a favour and memorize the GoogleMap of it first. Trust me, I know this city, and I knew the address, yet it still took me at least 15 minutes of driving around the area to find the "hole-in-the-wall" venue. It actually was reaching the point of frustration when it was spotted. However, another problem soon arose: how do we get in the building? The front door was locked, with a cage/grate over the door. No signs were posted anywhere and, wince the ARTery is part of a bigger building, we went next door to a convienitet stoore to invetigate. That wasn't any help since the store clerk had no clue what I was trying to ask. We decided to go on a short adventure (in one of the sketchier areas of the city), and found out way in finally through a door in the back alley. Once getting inside my frustrating and near anger was cured. The ARTery is such a great location for any band or concert-goer wanting an intimate show. It doesn't fit many people, I'd say 100 or less? However it was perfect for the local artists and folk music that we had gone to see. The stage isn't very big, just enough to fit four members of the Collective West, but also extends on the left hand side if it's needed (this time that part was just used as extra seating). There's also quite a few tables, a set of stairs and a couch where the audience can sit (even though a lot of them ended up sitting on the floor close to the stage...like I said, it was like being with a bunch of friends!). I hope that more bands plan on having shows so that many more people are able to discover the magic of the ARTery like I was!
Just before the Collective West made their ..."official" appearance (Erin Faught, lead female vocalist, was working the door, stamping away and taking tix, while the rest of the band was hanging around, mingling, and cheering on the opening acts), the band was able to have another good friend of theirs, Jeff Morris, play a set. Collective West has previously opened for the sweet, slow and intelligent singer-songwriter. The folk singer has crafted his songs and voice to what seems like a "T". I really don't like reading about comparisons of artists, since each artist is unique, by leaps and bounds. However, I'm about to shame myself by comparing Morris' songs to the slower songs by Michael Bernard Fitzgerald (who, if you've read previous blogs, you'll know as one of my true loves). It's not really because their voices sound similar, but more so because they're both fellas (obviously) who know how to make hearts swell with emotion*, and no doubt put the effort into each of their verses, choruses and bridges.
*Even though Morris is more of a heart-achey feeling, and MBF is more of a falling-in-love feeling.
And without much wait up came The Collective West. Now you know how I've been talking (and talking, and talking...) about these people for quite. To be honest, I was more worreid about hearing their new album (since this was their debut album release show). I had only ever heard the band on live recordings on Youtube. But, to jump ahead a bit, once I listened to the first song on the album I knew that I'd definitely struck gold in the West. It was really refreshing to hear a band that needed no extras or fillers in their musics or with honing their "sound".
It was a totally different kind of show than I've ever been to before. Really, it felt more like sitting in on a live impromptu band practice. The crowd seemed like they were mostly friends/family of band members, and every one felt completely comfortable, which made the music sound that much sweeter for some reason; it was a very laid back show, with heaps of banter between the audience and band. It's easy to see that the members are all friends behind-the-scenes too. They connect so well with each other DURING songs, and often commicate with eye contact and glances during their set.
To me, one of the best things about the Collective West is that they don't use completely "traditional instruments" i.e one set of drums, one/two electric guitars, or one acoustic and one bass. Erin Faught, female vocalist, switches between an acoustic guitar, and the nicest looking banjo I've ever seen. Lead male vocalist, Alex Klassen (formerly known as Alexander Chemist) plays electric guitar and tends to tape a tambourine to his foot (yeah, you definitely read that right). And according to the bands Facebook page, the remaining (yet I really don't like to use that word since they contribute so so much to the sound of the band) two members play just as hard on their "Bass/Eggshaker/Fisher Price Xylophone...", which is played by mustachioed Alex Charleton, and the "Guitar/Cajón/Glockenspiel/Dulcimer/.../Kazoo/Bells/Vocals..." played by the EXTREMELY talented and fully-demin-outfitted, Dave Sustrik.
The set included most, if not all (I did lose count due to lost-in-awe brain) songs from their new album, "Things We Do". Not only did they play orginals but they also included three great covers: I Want You Back - The Jackson 5, Gold Digga - Kanye West, and Danger Zone - Kenny Loggins. That last one was voted into place on their Facebook page! It was great to see a band who can do a cover, but do it well. Performing a cover is not only about making the original proud, but also bringing something of your own to the music! And brought it, they sure did. Erin Faught's vocals on Gold Digga (during the Jamie Foxx part), was actually one of the best acapella vocals I've ever heard.
To sum up a great musical night, the band in no possible way dissapointed, and somehow even made themselves better with their excellent, intimate live show!
Interested in some extra reading, boys and girls? Look no further than my views on the ARTery. It's located on Jasper Ave, just east of the Shaw Conference Centre. If it's ever your first time going there, please, do yourself a favour and memorize the GoogleMap of it first. Trust me, I know this city, and I knew the address, yet it still took me at least 15 minutes of driving around the area to find the "hole-in-the-wall" venue. It actually was reaching the point of frustration when it was spotted. However, another problem soon arose: how do we get in the building? The front door was locked, with a cage/grate over the door. No signs were posted anywhere and, wince the ARTery is part of a bigger building, we went next door to a convienitet stoore to invetigate. That wasn't any help since the store clerk had no clue what I was trying to ask. We decided to go on a short adventure (in one of the sketchier areas of the city), and found out way in finally through a door in the back alley. Once getting inside my frustrating and near anger was cured. The ARTery is such a great location for any band or concert-goer wanting an intimate show. It doesn't fit many people, I'd say 100 or less? However it was perfect for the local artists and folk music that we had gone to see. The stage isn't very big, just enough to fit four members of the Collective West, but also extends on the left hand side if it's needed (this time that part was just used as extra seating). There's also quite a few tables, a set of stairs and a couch where the audience can sit (even though a lot of them ended up sitting on the floor close to the stage...like I said, it was like being with a bunch of friends!). I hope that more bands plan on having shows so that many more people are able to discover the magic of the ARTery like I was!
Saturday, June 18, 2011
Getting the Facts Together - The Collective West
So. I've been bested. Blogger and friend of the band The Collective West, Rylan Kafara, has written one of the loveliest posts about the up and coming local band. Since I could try to write a better post, yet fail absolutely (and I also have the stove on, and I hear it's bad to leave such things unattended)...instead I'm just going to share his post with the world!
And find out EVEN MORE about this great band tonight at the ARTery on Jasper Ave at The Collective West's album release show!
And find out EVEN MORE about this great band tonight at the ARTery on Jasper Ave at The Collective West's album release show!
Wednesday, June 15, 2011
The Collective West
Interested in new, homegrown music? I've mentioned these lovely people before, but this time they're about to celebrate a milestone, and are inviting YOU to celebrate with them! The four-piece band The Collective West are about to release their debut album this Saturday at Avenue Theatre. Judging from their quickie living room session, "Bottom Line", it's sure to be a treat for the ears. Tickets are only $10, either online at www.yeglive.ca or $10 at the door.
Support local, and talented artists! No excuses.
And hey, the world always needs more banjo.
Support local, and talented artists! No excuses.
And hey, the world always needs more banjo.
Tuesday, June 14, 2011
SOS Fest
The 2nd annual SOS (Sounds of Old Strathcona) Festival is about to take place on July 9.
Edmonton's known as festival city, but I have a bit of an issue with this particualr one. Nothing terribly bad, but after all the complaints and/or jokes about "Deadmonton"...it's hard to wonder why the city can't have nice things when there is no one showing up to support them!
Last year, the first SOS fest, was 3 days long; it spanned from July 8-10. The festival included 100 artists at over 20 venues around the Strathcona area. But this year, because of lack of visitors and also due to lack of government funding the festivals organizers have had to "condense" the event to a single day, July 10, from noon-7pm.
It's sad to see such a great event, which not only showcases new and local music, but also was free to attend, get trimmed down after just one year. I personally know of many people that constantly and consistently ask why Edmonton doesn't have MORE events, MORE "good" music festivals, and just more to do. And this is exactly why! It's because no one seems to appreciate what we have, and what we've already been given. I'm sure that the people that do tend to be more "vocal" to their friends and co-workers about how "lame" the city is, know about the festival and know that it's been cut down to 9% of it's original size, yet I'm sure they're the same ones who'd be either sitting at home or getting drunk at some random bar meanwhile. Maybe it's time that we stop taking such amazing festivals and shows for granted, and take pride in our own city.
This year's SOS Fest will take place July 10, from 12noon-7pm. It'll be on Whyte Ave (which will be temporarily closed), between 103 and 105 ST. It's a fun time for all ages and includes not only the musical acts, 9 in total on two different stages, but also vendors and activities. Bands include, Scenic Route To Alaska, The Dudes, The Pack a.d. and Wool On Wolves (seriously, a great line up).
Please go out and support SOS, because, at this rate, who knows if we'll even get it back next summer!
--More info at www.sosfest.ca
Edmonton's known as festival city, but I have a bit of an issue with this particualr one. Nothing terribly bad, but after all the complaints and/or jokes about "Deadmonton"...it's hard to wonder why the city can't have nice things when there is no one showing up to support them!
Last year, the first SOS fest, was 3 days long; it spanned from July 8-10. The festival included 100 artists at over 20 venues around the Strathcona area. But this year, because of lack of visitors and also due to lack of government funding the festivals organizers have had to "condense" the event to a single day, July 10, from noon-7pm.
It's sad to see such a great event, which not only showcases new and local music, but also was free to attend, get trimmed down after just one year. I personally know of many people that constantly and consistently ask why Edmonton doesn't have MORE events, MORE "good" music festivals, and just more to do. And this is exactly why! It's because no one seems to appreciate what we have, and what we've already been given. I'm sure that the people that do tend to be more "vocal" to their friends and co-workers about how "lame" the city is, know about the festival and know that it's been cut down to 9% of it's original size, yet I'm sure they're the same ones who'd be either sitting at home or getting drunk at some random bar meanwhile. Maybe it's time that we stop taking such amazing festivals and shows for granted, and take pride in our own city.
This year's SOS Fest will take place July 10, from 12noon-7pm. It'll be on Whyte Ave (which will be temporarily closed), between 103 and 105 ST. It's a fun time for all ages and includes not only the musical acts, 9 in total on two different stages, but also vendors and activities. Bands include, Scenic Route To Alaska, The Dudes, The Pack a.d. and Wool On Wolves (seriously, a great line up).
Please go out and support SOS, because, at this rate, who knows if we'll even get it back next summer!
--More info at www.sosfest.ca
Friday, June 10, 2011
Sonic Boom Numero 3
Each year since 2009 Sonic 102.9 has been hosting a giant party for your eyes and ears also known as a music festival at the Northlands Grounds.
The official line-up for Sonic Boom 2011 was announced today:
Wednesday, June 8, 2011
Theory of Hipster Relativity
While you're waiting on your lunch that's warming in the microwave, your room mate to get out of the shower, that album that is taking its sweet time to up and/or download or just generally trying to procrastinate life why not enjoy a little webcomic goodness (my apologies for the size; if I include the original size the right side gets cut off...click on the link below the comic!) :
Tuesday, June 7, 2011
Sloan celebrates 20 years of Canadiana
"Alternative Rock" band Sloan celebrates their 20th birthday this year by touring and releasing their new album The Double Cross. The band from Halifax has released over 10 albums since their start in 1991, and show no sign of slowing down!
Unfortunately I didn't get to see their performance in Edmonton on May 31st, since I was just heading back from the Sasquatch Festival in Washington the same day. However thanks to the wonders of the internet and tour dates I was able to find out that they were going to be playing down south, in Calgary, on June 1st. So, in yet another venue, I was able to see Sloan again. This time the show was at the Republik on 17th Ave. Apparently it's a pretty popular nightlife street, and also one of the venues Sloan played during their first ever tour!
The Republik is pretty small, but I would say it's more intimate than anything, which is great for Sloan's sound and the personality of the songs and band members. As usual they put on a great show, with fan favourite songs from their many albums during the years. I was able to walk away with the set list and can tell you they rocked out in record time with 24 songs in about an hour and half! There were the "regular" sing-along staples, such as "Who Taught You to Live Like That?", "Rest of My Life", and "Losing California", as well as most of the songs from their newest album on the list.
Every member of the band sings and writes, which I feel has only helped their variety and longevity. When usual drummer, Andrew Scott, takes the lead vocals on such songs as "She's Slowing Down" and "Sinking Ships", "frontman" Chris Murphy takes a seat behind the drums (I don't like using the term frontman for this band since each member contributes equally to the all-around-sound). It's great to see a band that isn't afraid to experiment (and even better when they've been playing for so long, and still seem to love playing bars and small venues).
It's tough to say anything about Sloan's shows, as they always play from their most recent album, as well as older songs (since their repertoire can go on and on). But really they put on such a great live show that they've kept me coming back 4 times, and will have many more to come.
One thing I do want to mention was about the venue...and how the many amps in such a small venue made it feel like my ears were about to bleed. And not in the good way. You know, how they say...less is more sometimes? As much as I adore Sloan completely, they could've done with a little less loud. (It sounds hypocritical to say that about any live show, but it just seemed like their talent was being drowned out).
Not sure if you noticed that I didn't mention anything about the opening band, Dearly Beloved, from Toronto. That's because, I'm sorry to say, there was nothing worth mentioning except a band that seemed to thing yelling and adding swear words to every song made it great. Seriously diss pointed, and haven't felt that about any band or live music in a long time!
Unfortunately I didn't get to see their performance in Edmonton on May 31st, since I was just heading back from the Sasquatch Festival in Washington the same day. However thanks to the wonders of the internet and tour dates I was able to find out that they were going to be playing down south, in Calgary, on June 1st. So, in yet another venue, I was able to see Sloan again. This time the show was at the Republik on 17th Ave. Apparently it's a pretty popular nightlife street, and also one of the venues Sloan played during their first ever tour!
The Republik is pretty small, but I would say it's more intimate than anything, which is great for Sloan's sound and the personality of the songs and band members. As usual they put on a great show, with fan favourite songs from their many albums during the years. I was able to walk away with the set list and can tell you they rocked out in record time with 24 songs in about an hour and half! There were the "regular" sing-along staples, such as "Who Taught You to Live Like That?", "Rest of My Life", and "Losing California", as well as most of the songs from their newest album on the list.
Every member of the band sings and writes, which I feel has only helped their variety and longevity. When usual drummer, Andrew Scott, takes the lead vocals on such songs as "She's Slowing Down" and "Sinking Ships", "frontman" Chris Murphy takes a seat behind the drums (I don't like using the term frontman for this band since each member contributes equally to the all-around-sound). It's great to see a band that isn't afraid to experiment (and even better when they've been playing for so long, and still seem to love playing bars and small venues).
It's tough to say anything about Sloan's shows, as they always play from their most recent album, as well as older songs (since their repertoire can go on and on). But really they put on such a great live show that they've kept me coming back 4 times, and will have many more to come.
One thing I do want to mention was about the venue...and how the many amps in such a small venue made it feel like my ears were about to bleed. And not in the good way. You know, how they say...less is more sometimes? As much as I adore Sloan completely, they could've done with a little less loud. (It sounds hypocritical to say that about any live show, but it just seemed like their talent was being drowned out).
Not sure if you noticed that I didn't mention anything about the opening band, Dearly Beloved, from Toronto. That's because, I'm sorry to say, there was nothing worth mentioning except a band that seemed to thing yelling and adding swear words to every song made it great. Seriously diss pointed, and haven't felt that about any band or live music in a long time!
Monday, June 6, 2011
Sasquatch 2011
There were expected to be (and of course are) tons of stories about the Sasquatch Music Festival in the Gorge, Washington to fill stadium...or...amphitheatre. But instead of boring you with the details I'm going to encourage and even support your decision to make it to the festival in 2012. It is most definitely one of the funnest experiences. First let me tell you my personal Sasquatch line-up. Then being the helpful person I try to be, I'll give you some tips and hints for when you're ready to head out on the dusty road to the Gorge.
DeathFromAbove 1979
Foo Fighters - Dave. Grohl. Nuff said. Ok well not enough because I also have to mention that everyone in the band except Taylor Hawkins was wearing different colours of plaid. By accident I'm sure.
Dan Mangan - made me cry <3
J Mascis - of Dinosaur Jr fame
Wye Oak
Iron & Wine
Matt & Kim - was the biggest, funnest, and best dance party ever.
Robyn - Excellent large-stage DJ set
Death Cab for Cutie
The Drums
Fitz & the Tantrums - great modern motown-funk sound
Tokyo Police Club - made me fall even harder for Dave Monks, and realize he's my dream boy
Sam Roberts - circle dancing included at no extra charge. WTF. Thank gosh for my mysterious protector. Played an great set of old and new songs.
Cold War Kids
Flogging Molly
Gayngs - the most mellow and chilled out show of my life
Flaming Lips - giant hamster ball, and giant balloons? Why NOT?
Modest Mouse
Wavves
Young the Giant - It's alright. I don't mind getting a bottle cap to the head as long as it's kicked by the lead singer filled with 1000 apologies.
Old 97's - Oh yeah. I'll also take one guitar pick from the band :)
Chromeo - THE BEST SHOW. Front row, out of over 15000 people. Inflatable balloons and beach balls and what I can only describe as a water-dog as far as my-eye-could-see. Oh and P-Thugg/Dave-1 were pretty great too <3
Guided by Voices
White Denim - Surprise amazing and accidental set from a band I had NEVER heard of.
Foster the People - Is it possible to fit 2000+ people in a space meant for only a few hundred? When Pumped Up Kicks is involved it is.
Rodrigo y Gabriela - Guitar beats beyond comprehension. This is a duo to definitely look into.
Bonobo
Skrillex - Almost died, third row. NBD. I'm FINE guys.
The Decemberists - Had the best finale with "Mariners Revenge", where in the end the whole band died.
Wilco - A great, witty, and sad end to a great weekend
I didn't make a comment on each artist because, well every artist was just great live as I thought they would be. The comments are anything interesting to special that happened to happen! If you are curious about any band/artist in particular please feel free to ask about them (as you know, I could gush for days about a set).
Now, what you've been sitting on the edge of your seat for (well for the past two minutes anyway):
Sasquatch Tips, Tricks, Hints and General Nicecities!:
- Bring a backpack as your carry-all of choice. A purse will not fit enough, and a suitcase/duffel-bag are not only frowned upon but also look like you're trying to smuggle a body.
- Invest in a "CamelBak" or like-designed water carrier. One water bottle may not be enough for the entire day. The water service station usually has a lineup about 40 people+ long at any given time, and the cost of water is ridiculous. Time spent in the water line takes up valuable dancing/meeting people time.
- Speaking of needing water for the whole day...be advised once entering the concert venue area there is NO re-entry for the DAY.
- The concert area is about a 10-15 minute walk from the closer campsites.
- The weather in the Gorge is extremely decieving and almost unpredictable. Except that you can predict it will get blazing hot around 4-7pm, and windy/very chilly and numbing once the sun starts to go down. This is another reason a backpack is a good idea. Wear shorts + tshirt/tanktop + sweater in the morning or afternoon, and bring an extra jacket or pair of pants + gloves for the evening shows.
- Carrots and Sweetpeas are a surprisingly popular snack of choice. Better than chips or candy that dehydrate you. They have natural sugars, are tasty AND won't give you high blood pressure and/or diabetes! Bonus.
- Either get a really good drinking buzz going before you go in the venue, go in to the venue late (and miss artists? What? Well thats up to you), or start saving your money now. Alcohol on-site starts around $8-9 for a beer/"glass" of wine. Sneaking of alcohol is done of course, but it seems like it would be pretty tough. They don't allow in waterbottles that haven't been sealed, unless they're empty (in which case you have to line up at the water station inside after)
- Be prepared to make soe friends. They will unlikely be the life-longers, but it was amzing how nice every person either attending the shows or working as staff were.
- Drugs run rampant. If it's not your scene, be vigilant and don't accept drinks from strangers, no matter how nice or convinving they may be.
- Be prepared to sweat, dance, or be injured if visiting the DJ-heavy stage, the Banana Shack. Especially later at night.
-Extra hint: want to make even more friends? Keep a lighter handy. You may not support smoking, but they'll do it anyway. Might as well make a buddy before they succumb to disease right?
- Also, and maybe most importantly, enjoy the hippie ride of your life that will fill your memory bank with gems.
DeathFromAbove 1979
Foo Fighters - Dave. Grohl. Nuff said. Ok well not enough because I also have to mention that everyone in the band except Taylor Hawkins was wearing different colours of plaid. By accident I'm sure.
Dan Mangan - made me cry <3
J Mascis - of Dinosaur Jr fame
Wye Oak
Iron & Wine
Matt & Kim - was the biggest, funnest, and best dance party ever.
Robyn - Excellent large-stage DJ set
Death Cab for Cutie
The Drums
Fitz & the Tantrums - great modern motown-funk sound
Tokyo Police Club - made me fall even harder for Dave Monks, and realize he's my dream boy
Sam Roberts - circle dancing included at no extra charge. WTF. Thank gosh for my mysterious protector. Played an great set of old and new songs.
Cold War Kids
Flogging Molly
Gayngs - the most mellow and chilled out show of my life
Flaming Lips - giant hamster ball, and giant balloons? Why NOT?
Modest Mouse
Wavves
Young the Giant - It's alright. I don't mind getting a bottle cap to the head as long as it's kicked by the lead singer filled with 1000 apologies.
Old 97's - Oh yeah. I'll also take one guitar pick from the band :)
Chromeo - THE BEST SHOW. Front row, out of over 15000 people. Inflatable balloons and beach balls and what I can only describe as a water-dog as far as my-eye-could-see. Oh and P-Thugg/Dave-1 were pretty great too <3
Guided by Voices
White Denim - Surprise amazing and accidental set from a band I had NEVER heard of.
Foster the People - Is it possible to fit 2000+ people in a space meant for only a few hundred? When Pumped Up Kicks is involved it is.
Rodrigo y Gabriela - Guitar beats beyond comprehension. This is a duo to definitely look into.
Bonobo
Skrillex - Almost died, third row. NBD. I'm FINE guys.
The Decemberists - Had the best finale with "Mariners Revenge", where in the end the whole band died.
Wilco - A great, witty, and sad end to a great weekend
I didn't make a comment on each artist because, well every artist was just great live as I thought they would be. The comments are anything interesting to special that happened to happen! If you are curious about any band/artist in particular please feel free to ask about them (as you know, I could gush for days about a set).
Now, what you've been sitting on the edge of your seat for (well for the past two minutes anyway):
Sasquatch Tips, Tricks, Hints and General Nicecities!:
- Bring a backpack as your carry-all of choice. A purse will not fit enough, and a suitcase/duffel-bag are not only frowned upon but also look like you're trying to smuggle a body.
- Invest in a "CamelBak" or like-designed water carrier. One water bottle may not be enough for the entire day. The water service station usually has a lineup about 40 people+ long at any given time, and the cost of water is ridiculous. Time spent in the water line takes up valuable dancing/meeting people time.
- Speaking of needing water for the whole day...be advised once entering the concert venue area there is NO re-entry for the DAY.
- The concert area is about a 10-15 minute walk from the closer campsites.
- The weather in the Gorge is extremely decieving and almost unpredictable. Except that you can predict it will get blazing hot around 4-7pm, and windy/very chilly and numbing once the sun starts to go down. This is another reason a backpack is a good idea. Wear shorts + tshirt/tanktop + sweater in the morning or afternoon, and bring an extra jacket or pair of pants + gloves for the evening shows.
- Carrots and Sweetpeas are a surprisingly popular snack of choice. Better than chips or candy that dehydrate you. They have natural sugars, are tasty AND won't give you high blood pressure and/or diabetes! Bonus.
- Either get a really good drinking buzz going before you go in the venue, go in to the venue late (and miss artists? What? Well thats up to you), or start saving your money now. Alcohol on-site starts around $8-9 for a beer/"glass" of wine. Sneaking of alcohol is done of course, but it seems like it would be pretty tough. They don't allow in waterbottles that haven't been sealed, unless they're empty (in which case you have to line up at the water station inside after)
- Be prepared to make soe friends. They will unlikely be the life-longers, but it was amzing how nice every person either attending the shows or working as staff were.
- Drugs run rampant. If it's not your scene, be vigilant and don't accept drinks from strangers, no matter how nice or convinving they may be.
- Be prepared to sweat, dance, or be injured if visiting the DJ-heavy stage, the Banana Shack. Especially later at night.
-Extra hint: want to make even more friends? Keep a lighter handy. You may not support smoking, but they'll do it anyway. Might as well make a buddy before they succumb to disease right?
- Also, and maybe most importantly, enjoy the hippie ride of your life that will fill your memory bank with gems.
Friday, May 20, 2011
Tornado '87
Tornado '87 is the latest release from a great band that's finally gaining momentum, Rural Alberta Advantage. They formed in 2005, and released their first album "Hometowns" in 2008.
This new single is about the devasting tornado that tore through eastern Edmonton in 1987. I never had to experience the effects of what is sometimes called "Black Friday" first hand, luckily, but this song seriously tugs at any and every emotional part of you. The sound and emotion that the song puts your mind through is unmistakeable sadness.
The song's hauntingly simple yet powerful lyrics, I'll be honest, somehow take me to a place where I can just imagine the helplessness of people living in and around the tornado's path on that day. But lead singer Nils
Edenloff even mentions that the song was "like therapy in a way".
Tornado '87 is from the bands second album, "Departing", which came out in March.
I don't know how RAA did it, but they got me hooked, with one of the few events I never thought I'd personally be able to feel for.
Click here to read a bit more about what the band has to say about the song, see some of the storm footage from over 20 years ago, and there's also an extra link to the song on the same page if you didn't already click the one above.
This new single is about the devasting tornado that tore through eastern Edmonton in 1987. I never had to experience the effects of what is sometimes called "Black Friday" first hand, luckily, but this song seriously tugs at any and every emotional part of you. The sound and emotion that the song puts your mind through is unmistakeable sadness.
The song's hauntingly simple yet powerful lyrics, I'll be honest, somehow take me to a place where I can just imagine the helplessness of people living in and around the tornado's path on that day. But lead singer Nils
Edenloff even mentions that the song was "like therapy in a way".
Tornado '87 is from the bands second album, "Departing", which came out in March.
I don't know how RAA did it, but they got me hooked, with one of the few events I never thought I'd personally be able to feel for.
Click here to read a bit more about what the band has to say about the song, see some of the storm footage from over 20 years ago, and there's also an extra link to the song on the same page if you didn't already click the one above.
Monday, May 16, 2011
Pearl Jam Concert Announcement
Hey there grunge fans it's your lucky day! Or...September 23 will be anyway...
Pearl Jam is celebrating their 20th Anniversary and wants to spend their special night(s) with you!
They'll be bring Rexall Place to it's knees this fall, and if you're aching to go don't be afraid to sit in front of your computer next Friday (May 27) morning eagerly refreshing your internet just to get the first-ish tickets! Don't worry, we've all been there! I won't judge you (out loud...)!
:)
Happy spending!
Pearl Jam is celebrating their 20th Anniversary and wants to spend their special night(s) with you!
They'll be bring Rexall Place to it's knees this fall, and if you're aching to go don't be afraid to sit in front of your computer next Friday (May 27) morning eagerly refreshing your internet just to get the first-ish tickets! Don't worry, we've all been there! I won't judge you (out loud...)!
:)
Happy spending!
Keep Full Ambitious, Maybe We Could Be Holy
Here's a show I almost didn't go to. Luckily I did go and get to take in not only The Crackling for the second time (playing a full set), The Provincial Archives but also Cygnets (again! I know. Right!).
This show was at the Pawn Shop on Whyte, and was a mere $10. I couldn't believe it, but am not one to argue with a good thing. Ok, so I am, but thats besides the point...
The doors opened at 9, and well the Cygnets were definitely playing to a semi-empty house. I feel like that might be the reason why they seemed to be playing at half-best. I know the energy they can put into a performace and this one seemed half-assed. The crowd was scarce, yet the boys started just after doors opened (I'm sure that it was scheduled, but it definitely took away from their set). Lead singer, Logan Turner, still gave a great performance, but it obviously did not compare to when they "headlined" their own showcase for Sonic's Band of the Month in April. It was great to see them opening for other local artists that are getting to be indie-household names.
Just before the Provincial Archive took to the stage, The Crackling performed basically a full set. I first saw the Crackling open for Dan Mangan in November; that performance was short and didn't seem as solid and put-together as this one. The acoustics in The Pawn Shop were surprisingly perfect for Kenton Loewen's growl-ey, yet fine-tuned vocals. The accordion and upright bass used in their songs add a great side to the band, that brings their sound back to what I can only describe as "natural folk". The entire band played well together, but their interaction with the audience was heavily lacking. Unfortunately it seemed like they were just there to play for the sake of playing. Since this was how the show seemed, I didn't get the impression that the band would talk to the crowd after the set as most bands do at The Pawn Shop. However I definitely stood corrected when Kenton Loewen was sitting at the bands merch table for what seemed like the better part of the night. He's a guy that really knows music, and not just one type...it seems like he likes to experience different sounds. After buying the CD and talking to Loewen for only a few seconds/a minute I was really impressed that he actually remembered the three of our names when we were leaving at the very end of the night! See the NB at the bottom of the post to find out why I was so excited about that.
I had heard of the Provincial Archive before the show, but hadn't actually had the chance to listen to them. This show would be the first and most important impression of them. And of course they hit, smashed and hammered the nail on the head. They were so smooth, mellow and "catchy" at the same time (I don't like to use the word catchy, since it's not a "Top 40" song...but I can't think of another word with the same meaning - one of those songs you feel like you've known forever, even after only having heard it for the first time...).
The band had a range of instruments including the almost obvious drums, guitar, bass...but also the upright bass, talk box, banjo, keyboards...and one smaller set of high-toned keys that I don't even know the name of! (I'm not sure if I have said this before but it can never be said enough, the world needs more banjo!) No, there weren't 9+ members in the band; band members of course changed instruments during the set seamlessly. The band kept a constant communication with the sound technician - they knew what they wanted everyone to hear. It's important to me when bands do this because it means that they're not there just to get some money in their pocket, and they're actually determined and devoted to their art. The singer's voice was crystal clear and I was so impressed that not only were they multi-talented but also so personable, manning their own merch table and actually taking time to chat with us after the show. The Pawn Shop was a great venue for both main acts of this concert; it was able to maintain the intimacy of each bands set, deliver the acoustics just right, while still allowing a good-sized crowd!
The not-surprising-but-surprising show made me even more dissapointed that I missed them when they performed with Rural Alberta Advantage (another GREAT homegrown band) in April. Oh well, I know they'll have to come home sometime ;)
In case you're wondering where the name of this post came from look no further than the debut album by The Crackling - Keep Full Ambitious, and the sophomore release (meaning second...not to be patronizing, but I know what it's like to NOT know what that means...) from The Provincial Archive - Maybe We Could Be Holy. Take a listen, and tune in for the next time all the lovely lads return to Edmonton!
NB: Kenton Loewen, lead vocalist of the Crackling, is a former member of Mother Mother (contributed to the first album), and is the drummer for Dan Mangan - I just love indie-band trivia.
P.S. There are a few things that I think you'd find entertaining but really don't have anything to do with the music...so...you can skip this if you're in a rush:
- Older drunk women at concerts are hilarious. Especially when they clear a section at the front of the floor because people are afraid that their flailing, sorry, "dancing" will injure them, when they yell to the crowd, "Why aren't you guys dancing!? It's just like Weezer!!", and most importantly when they start heavy-metal-like whipping their hair around and a cigarette flies out. What an experience indeed. (To be fair, I suppose the lead singer of the PA did have Rivers Cuomo-ish glasses...I guess...)
- Local artists can be a bit confused when selling merch. But they make up for it in apologies and good intentions and shirt trading. I bought a shirt at the show, but when I unrolled the tape the next morning it turned out to be the wrong one! Heartbroken I emailed the band, and got the quickest response on the same day saying that they would set one aside for me and I would get it in about a month! Now that's service (with a smile, I hope). Just...great! :)
This show was at the Pawn Shop on Whyte, and was a mere $10. I couldn't believe it, but am not one to argue with a good thing. Ok, so I am, but thats besides the point...
The doors opened at 9, and well the Cygnets were definitely playing to a semi-empty house. I feel like that might be the reason why they seemed to be playing at half-best. I know the energy they can put into a performace and this one seemed half-assed. The crowd was scarce, yet the boys started just after doors opened (I'm sure that it was scheduled, but it definitely took away from their set). Lead singer, Logan Turner, still gave a great performance, but it obviously did not compare to when they "headlined" their own showcase for Sonic's Band of the Month in April. It was great to see them opening for other local artists that are getting to be indie-household names.
Just before the Provincial Archive took to the stage, The Crackling performed basically a full set. I first saw the Crackling open for Dan Mangan in November; that performance was short and didn't seem as solid and put-together as this one. The acoustics in The Pawn Shop were surprisingly perfect for Kenton Loewen's growl-ey, yet fine-tuned vocals. The accordion and upright bass used in their songs add a great side to the band, that brings their sound back to what I can only describe as "natural folk". The entire band played well together, but their interaction with the audience was heavily lacking. Unfortunately it seemed like they were just there to play for the sake of playing. Since this was how the show seemed, I didn't get the impression that the band would talk to the crowd after the set as most bands do at The Pawn Shop. However I definitely stood corrected when Kenton Loewen was sitting at the bands merch table for what seemed like the better part of the night. He's a guy that really knows music, and not just one type...it seems like he likes to experience different sounds. After buying the CD and talking to Loewen for only a few seconds/a minute I was really impressed that he actually remembered the three of our names when we were leaving at the very end of the night! See the NB at the bottom of the post to find out why I was so excited about that.
I had heard of the Provincial Archive before the show, but hadn't actually had the chance to listen to them. This show would be the first and most important impression of them. And of course they hit, smashed and hammered the nail on the head. They were so smooth, mellow and "catchy" at the same time (I don't like to use the word catchy, since it's not a "Top 40" song...but I can't think of another word with the same meaning - one of those songs you feel like you've known forever, even after only having heard it for the first time...).
The band had a range of instruments including the almost obvious drums, guitar, bass...but also the upright bass, talk box, banjo, keyboards...and one smaller set of high-toned keys that I don't even know the name of! (I'm not sure if I have said this before but it can never be said enough, the world needs more banjo!) No, there weren't 9+ members in the band; band members of course changed instruments during the set seamlessly. The band kept a constant communication with the sound technician - they knew what they wanted everyone to hear. It's important to me when bands do this because it means that they're not there just to get some money in their pocket, and they're actually determined and devoted to their art. The singer's voice was crystal clear and I was so impressed that not only were they multi-talented but also so personable, manning their own merch table and actually taking time to chat with us after the show. The Pawn Shop was a great venue for both main acts of this concert; it was able to maintain the intimacy of each bands set, deliver the acoustics just right, while still allowing a good-sized crowd!
The not-surprising-but-surprising show made me even more dissapointed that I missed them when they performed with Rural Alberta Advantage (another GREAT homegrown band) in April. Oh well, I know they'll have to come home sometime ;)
In case you're wondering where the name of this post came from look no further than the debut album by The Crackling - Keep Full Ambitious, and the sophomore release (meaning second...not to be patronizing, but I know what it's like to NOT know what that means...) from The Provincial Archive - Maybe We Could Be Holy. Take a listen, and tune in for the next time all the lovely lads return to Edmonton!
NB: Kenton Loewen, lead vocalist of the Crackling, is a former member of Mother Mother (contributed to the first album), and is the drummer for Dan Mangan - I just love indie-band trivia.
P.S. There are a few things that I think you'd find entertaining but really don't have anything to do with the music...so...you can skip this if you're in a rush:
- Older drunk women at concerts are hilarious. Especially when they clear a section at the front of the floor because people are afraid that their flailing, sorry, "dancing" will injure them, when they yell to the crowd, "Why aren't you guys dancing!? It's just like Weezer!!", and most importantly when they start heavy-metal-like whipping their hair around and a cigarette flies out. What an experience indeed. (To be fair, I suppose the lead singer of the PA did have Rivers Cuomo-ish glasses...I guess...)
- Local artists can be a bit confused when selling merch. But they make up for it in apologies and good intentions and shirt trading. I bought a shirt at the show, but when I unrolled the tape the next morning it turned out to be the wrong one! Heartbroken I emailed the band, and got the quickest response on the same day saying that they would set one aside for me and I would get it in about a month! Now that's service (with a smile, I hope). Just...great! :)
Monday, May 2, 2011
Boygroove Make My Hips Buck, and Cygnets have a not-so Bleak Decade
So, you came in looking for a post about this band or that concert. Well, come on in, settle down and take advantage of the special deal of the day, a two-for-one special!
Thursday was not quite a concert, but a play; a mockumentary musical about a 4-member boyband, Boygroove. Now these boys have some talent, but that's not why they're chosen to become a part of the hysteria, and the pheomenon that is a boyband (or that was a boyband, in the 1990's). Made of up "leader"-business-minded Kevin, bad boy Jon, activist and sensitive soul Andrew, and very religious with a big secret Lance. The play takes place at a time when boy bands (though one of the guys prefers the term "group", since no one plays instruments...) were all the rage, ruled the air waves, and toyed with girls hearts.
It was only $15 and was at the Catalyst Theatre just off of Whyte Ave. There was only about 1/4-1/2 of the theatre with seats filled, but the show did run throughout the entire week, so it made sense that a small production wouldn't be a full house all of the time. I heard of the event(s) in one of the free local newspapers; the article and front cover was done in such a way that it first made you think that they were a real boyband, on the rise to stardom, touring Canada to dance their hearts out.
There were only four actors, each playing one member of the band, as well as playing secondary characters. The difference was clear when the spotlights were on them, by changing/disguising their voices, and quick turn-arounds; there were no costume changes. It was really great to see a play done so well, with limited props (i.e none), and such a well written script. The fellas all danced to on-par choreography, and sang much better than was expected (...actually sounded like a boyband). A few of their satirical "songs" include "Actually Hurt", "Pushin' and Rockin'", and their "hit" "You Make My Hips Buck". The dance moves were slightly off, but were great to watch and made you start to believe they were a real band (I may have started to want an actual album...). Each actor made you believe their persona, and kudos to the writers that made the script so believable! Apparently the play is a revamping of a production that had been put on during the actual boyband surge, way back when. But I had to say by the end I already had a favourite boy that I'm sure would've been up on a poster in my room 10 years ago.
What's the second part of this super deal you ask? Well look no further than the previous-post mentioned Sonic Band of the Month, Cygnets. New Wave 80's synth in an small-time Albertan bar? Yes, please.
Cygnets suprisingly had not one, or two but three opening bands! I didn't quite get the name of the first band, who were great, but would've probably sounded better on an album...The lead singer also looked like he was wearing his big brothers giant, plain black t shirt and backwards baseball hat, instead of the front man of a band. The second group was a drum/DJ combination "band", called Summer Games. They really impressed me with their simplicity but highly addictive beats. Surprise, surprise the drummer was the same drummer from Shout Out Out Out Out who was into doing a sideproject. I love sideprojects.
The last opening band was former band of the month, Sister Grey, made up of two sisters (I assume) and two other backup instrument guys. The only song I knew was their featured Sonic song, but they were highly danceable and fun.
Cygnets put on a great show, with high energy, but in the end were a slight dissapoint. Don't get me wrong about their talent, I'm sure it was just a personal standard I had since I'd been waiting for the show for 1 month. There was also a part of the company I was with that made it less than stellar, you know how it is.
Cygnets is a great band that is completely dedicated to their work and art, so much so that they don't even sell anything. Not even their album. As I said in a previous post you can pick up a free album at Blackbyrd Myoozik on Whyte Ave, and they were also giving away free copies at their show (along with pins, stickers, music download cards, and cupcakes! I know right, what could be better?).
It was a packed house, full of people that I wasn't expecting. But sometimes that can make the experience that much more memorable. Each time I go to the Pawn Shop (...ok, fine this is the only 2nd time), I like it more; the stage is a few feet off the ground so you don't crane your neck, yet you can still see the band even if there are a few taller people at the front. It's big enough to hold a good-sized audience, but not so big that you loose the intimacy of the artists. I wish that they'd start to host more great music.
PS. The Trews were also playing on April 29, doors opening at 6pm. I worked until 6, so no dice. Right? Well once we paid our $5 cover for the band of the month, I was wondering why the venue was already so crowded at 9.15 (when doors opened at 9). And then....I wondered why the band was already playing...and eventually realized it was the Trews! Pure luck to see the end of their show even when we couldn't make it.
Thursday was not quite a concert, but a play; a mockumentary musical about a 4-member boyband, Boygroove. Now these boys have some talent, but that's not why they're chosen to become a part of the hysteria, and the pheomenon that is a boyband (or that was a boyband, in the 1990's). Made of up "leader"-business-minded Kevin, bad boy Jon, activist and sensitive soul Andrew, and very religious with a big secret Lance. The play takes place at a time when boy bands (though one of the guys prefers the term "group", since no one plays instruments...) were all the rage, ruled the air waves, and toyed with girls hearts.
It was only $15 and was at the Catalyst Theatre just off of Whyte Ave. There was only about 1/4-1/2 of the theatre with seats filled, but the show did run throughout the entire week, so it made sense that a small production wouldn't be a full house all of the time. I heard of the event(s) in one of the free local newspapers; the article and front cover was done in such a way that it first made you think that they were a real boyband, on the rise to stardom, touring Canada to dance their hearts out.
There were only four actors, each playing one member of the band, as well as playing secondary characters. The difference was clear when the spotlights were on them, by changing/disguising their voices, and quick turn-arounds; there were no costume changes. It was really great to see a play done so well, with limited props (i.e none), and such a well written script. The fellas all danced to on-par choreography, and sang much better than was expected (...actually sounded like a boyband). A few of their satirical "songs" include "Actually Hurt", "Pushin' and Rockin'", and their "hit" "You Make My Hips Buck". The dance moves were slightly off, but were great to watch and made you start to believe they were a real band (I may have started to want an actual album...). Each actor made you believe their persona, and kudos to the writers that made the script so believable! Apparently the play is a revamping of a production that had been put on during the actual boyband surge, way back when. But I had to say by the end I already had a favourite boy that I'm sure would've been up on a poster in my room 10 years ago.
What's the second part of this super deal you ask? Well look no further than the previous-post mentioned Sonic Band of the Month, Cygnets. New Wave 80's synth in an small-time Albertan bar? Yes, please.
Cygnets suprisingly had not one, or two but three opening bands! I didn't quite get the name of the first band, who were great, but would've probably sounded better on an album...The lead singer also looked like he was wearing his big brothers giant, plain black t shirt and backwards baseball hat, instead of the front man of a band. The second group was a drum/DJ combination "band", called Summer Games. They really impressed me with their simplicity but highly addictive beats. Surprise, surprise the drummer was the same drummer from Shout Out Out Out Out who was into doing a sideproject. I love sideprojects.
The last opening band was former band of the month, Sister Grey, made up of two sisters (I assume) and two other backup instrument guys. The only song I knew was their featured Sonic song, but they were highly danceable and fun.
Cygnets put on a great show, with high energy, but in the end were a slight dissapoint. Don't get me wrong about their talent, I'm sure it was just a personal standard I had since I'd been waiting for the show for 1 month. There was also a part of the company I was with that made it less than stellar, you know how it is.
Cygnets is a great band that is completely dedicated to their work and art, so much so that they don't even sell anything. Not even their album. As I said in a previous post you can pick up a free album at Blackbyrd Myoozik on Whyte Ave, and they were also giving away free copies at their show (along with pins, stickers, music download cards, and cupcakes! I know right, what could be better?).
It was a packed house, full of people that I wasn't expecting. But sometimes that can make the experience that much more memorable. Each time I go to the Pawn Shop (...ok, fine this is the only 2nd time), I like it more; the stage is a few feet off the ground so you don't crane your neck, yet you can still see the band even if there are a few taller people at the front. It's big enough to hold a good-sized audience, but not so big that you loose the intimacy of the artists. I wish that they'd start to host more great music.
PS. The Trews were also playing on April 29, doors opening at 6pm. I worked until 6, so no dice. Right? Well once we paid our $5 cover for the band of the month, I was wondering why the venue was already so crowded at 9.15 (when doors opened at 9). And then....I wondered why the band was already playing...and eventually realized it was the Trews! Pure luck to see the end of their show even when we couldn't make it.
Thursday, April 28, 2011
Got to Lose
New video from all-round-good-time-band, Hollerado.
This one's called Got to Lose. Click on the post title, and prepare your self for a wild ride, filled with pop-up-band-fellas, old-timey microphones and most importantly umbrellas. And plenty of em too!
Enjoy!
This one's called Got to Lose. Click on the post title, and prepare your self for a wild ride, filled with pop-up-band-fellas, old-timey microphones and most importantly umbrellas. And plenty of em too!
Enjoy!
Wednesday, April 27, 2011
The Bottom Line
Let me give you the gist of the post: you should be listening to banjo as you read this. The main point of this entry is that the Collective West is a four-piece band from right here in Edmonton, and by clicking the link you can begin to enjoy some of their tunes. Ok I'll stop prolonging the real nitty-gritty; take a listen to this basement/living room jam of their song, The Bottom Line.
Oh, you were looking for a final conclusion ? Well how about finding one out for yourself, by dropping by Avenue Theatre (9030 - 118th ave) this Friday. April 29th to see the Collective West, along with Scenic Route to Alaska and Politic Live in support of Rock to Conquer Cancer!?
A worthy cause, a silent auction, some great performers and for only $10. It'd be amazing if you found yourself saying no.*
*Unless you're under 18, then I'm sorry lovely minors, you'll have to wait your turn to hear this band live.
Oh, you were looking for a final conclusion ? Well how about finding one out for yourself, by dropping by Avenue Theatre (9030 - 118th ave) this Friday. April 29th to see the Collective West, along with Scenic Route to Alaska and Politic Live in support of Rock to Conquer Cancer!?
A worthy cause, a silent auction, some great performers and for only $10. It'd be amazing if you found yourself saying no.*
*Unless you're under 18, then I'm sorry lovely minors, you'll have to wait your turn to hear this band live.
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